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Premium Framed Print : Catherine, the Mulatta of the Portuguese Bradao, 1521, (1936). Artist: Albrecht Durer
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Catherine, the Mulatta of the Portuguese Bradao, 1521, (1936). Artist: Albrecht Durer
Catherine, the Mulatta of the Portuguese Bradao, 1521, (1936). Found in the collection of the Gabinetto dei Disegni e Stampe, Uffizi, Florence, Italy. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936
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Media ID 14922294
© The Print Collector / Heritage-Images
Albert Durer Albrecht Albrecht Durer Catherine Durer Ethnicity Headscarf Looking Down Miirace Portugal Portuguese Sadness Waetzoldt Wilhelm Wilhelm Waetzoldt Mulatta
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Caption: This print showcases the captivating portrait of "Catherine, the Mulatta of the Portuguese Bradao" by renowned German artist Albrecht Durer. Created in 1521 but reproduced in 1936 for Wilhelm Waetzoldt's book "Durer, Und Seine Zeit" this engraving is now housed in the Gabinetto dei Disegni e Stampe at Uffizi Gallery in Florence, Italy. The image depicts a melancholic Catherine wearing a traditional jacket and headscarf, her gaze directed downwards. Her ethnicity as a mulatta - a person of mixed African and European heritage - adds an intriguing layer to this sixteenth-century portrayal. Durer's attention to detail is evident through his meticulous rendering of Catherine's clothing and headgear. Although little is known about Catherine herself or her connection to Portugal, this portrait serves as a testament to the global reach of art during that era. It also highlights Durer's ability to capture not only physical features but also emotions within his subjects. With its monochrome aesthetic reminiscent of forties photography, this print provides viewers with a glimpse into both historical fashion trends and societal attitudes towards race during the sixteenth century. As we contemplate Catherine's expression filled with sadness and introspection, we are reminded of how art can transcend time and evoke empathy across centuries.
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