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Premium Framed Print : The Incredulity of Saint Thomas, ca 1545. Creator: Salviati (Rossi), Francesco (1510-1563)
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The Incredulity of Saint Thomas, ca 1545. Creator: Salviati (Rossi), Francesco (1510-1563)
The Incredulity of Saint Thomas, ca 1545. Found in the collection of the Musee du Louvre, Paris
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Media ID 36317037
© Fine Art Images/Heritage Images
Acts Of The Apostles Apostle Thomas Apostles Of Jesus Christ Doubt Faith Faithfulness History Of Apostles Mannerism Musee Du Louvre Resurrection Of Jesus Roman School Saint Thomas Saints Thomas The Apostle Twelve Apostles
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Incredulity of Saint Thomas," a masterpiece by the Italian Mannerist painter Francesco Salviati (1510-1563), is a captivating oil on canvas work housed in the prestigious Musee du Louvre in Paris. This iconic painting, created around 1545, depicts an intriguing moment from the Acts of the Apostles in the New Testament. The scene portrays Thomas, one of the twelve apostles of Jesus Christ, expressing doubt and disbelief towards the resurrected Christ. Thomas, also known as "Doubting Thomas," was not present during the original resurrection appearance to the apostles and required tangible evidence before he could believe. In this painting, Thomas is shown reaching out to touch the wounds in Christ's hands, while the other apostles look on in various expressions of shock, disbelief, and faith. Salviati expertly captures the emotional intensity and the human element of this biblical story. The use of chiaroscuro, or strong contrasts between light and dark, adds depth and drama to the composition. The painting is a prime example of the Mannerist style, characterized by elongated figures, exaggerated gestures, and a focus on emotion and movement. The Incredulity of Saint Thomas is not only a significant work in the history of Christianity but also a testament to the artistic prowess of the Roman School during the 16th century. It invites viewers to reflect on the themes of faith, doubt, and the human response to the divine. This evocative painting continues to captivate audiences and remains an essential part of the Louvre's extensive collection.
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