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Premium Framed Print : The landscape painters, the first copies nature, the second copies the first
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The landscape painters, the first copies nature, the second copies the first
The landscape painters, the first copies nature, the second copies the first, from The artists, published in Le Charivari, May 12, 1865, May 12, 1865
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Media ID 20570039
© Heritage Art/Heritage Images
Aaron Aaron Martinet Behind Copying Daumier Daumier Honore Daumier Honore Victorin Destouches Easel H Daumier Hillside Honore Honore Daumier Honore Victorin Honore Victorin Daumier Le Charivari Martinet Martinet Aaron Lithotint
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Landscape Painters - A Delicate Balance Between Nature and Artistic Interpretation
EDITORS COMMENTS
. This black and white lithograph, created by the renowned French artist Honore Daumier in 1865, captures a fascinating concept within the world of landscape painting. Titled "The Landscape Painters, the first copies nature, the second copies the first" this artwork beautifully illustrates the intricate relationship between artists and their surroundings. In this scene, two men are depicted sitting behind easels on a hillside overlooking a picturesque country landscape. The artist in front is diligently observing nature's beauty while skillfully capturing its essence on canvas. Behind him sits another painter who is intently studying his colleague's work before attempting to recreate it himself. Daumier's caricature-like style adds an element of humor to this thought-provoking image. It raises questions about originality versus imitation in art and explores how one artist can influence another through their interpretation of nature. As we delve into this 19th-century masterpiece, we witness not only a portrayal of these two individuals but also an exploration of artistic heritage and inspiration. Daumier invites us to contemplate how each generation builds upon what came before them, creating an ever-evolving artistic legacy. Displayed at The Met museum today, this lithograph serves as a reminder that art has always been shaped by both individual creativity and collective influence. It encourages us to appreciate not just the final product but also the process behind it – where artists observe nature with awe-struck
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