Premium Framed Print : Lieutenant Cameron's Travels in Central Africa: Clay Idol at Bwarwé...1876. Creator: Unknown

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Lieutenant Cameron's Travels in Central Africa: Clay Idol at Bwarwé...1876. Creator: Unknown

Lieutenant Cameron's Travels in Central Africa: Clay Idol at Bwarwe, from a sketch by Lieutenant Cameron, 1876. From "Illustrated London News", 1876

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Media ID 36374746

© The Print Collector/Heritage Images

Bare Feet Belief Cameron Verney Lovett Exploration Exploring Faith Feet Foot Idol Shrine Verney Lovett Cameron Worship Worshipper Worshippers Worshipping Barefoot

14"x18" Premium Frame

Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")

Estimated Product Size is 45.8cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > White-footed Mouse

> Arts > Sculpture

EDITORS COMMENTS
This print depicts a clay idol at Bwarwe, a shrine located in Central Africa, as documented by Lieutenant Cameron during his travels in 1876. The image, derived from a sketch by Lieutenant Cameron, was published in the Illustrated London News that same year. The print showcases a group of men and women, barefoot and clad in traditional African attire, gathered around the idol in a display of deep reverence and faith. The idol, with its intricately detailed features, stands as a testament to the rich cultural beliefs and artistic traditions of the Central African people. The print offers a glimpse into the past, providing a window into the lives of those who inhabited the continent during the 19th century. The idol, with its serene expression and powerful presence, continues to inspire awe and wonder, reminding us of the enduring connection between art, religion, and the human spirit.

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