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Premium Framed Print : Londons Nightmare, 1866. Artist: John Tenniel
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Londons Nightmare, 1866. Artist: John Tenniel
Londons Nightmare, 1866. A man holding banner with the word Bumbledom on it, sits on the chest of a woman representing London. He has a particularly stupid expression on his face. Bumbledom was the term used to encapsulate the conflicting jurisdictions of folks who ought to have no jurisdiction at all, and who job, blunder, squabble, and utterly misgovern the metropolis of the world. Bumbledom was thus seen as stifling the capital. From Punch, or the London Charivari, March 10, 1866
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Media ID 14830798
© The Print Collector / Heritage-Images
Foolish Heritage Image Partnership John Tenniel Sir John Tenniel Stupid Tenniel Crush
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Londons Nightmare, 1866
EDITORS COMMENTS
is a thought-provoking print by renowned artist John Tenniel that captures the essence of the city's struggles during the 19th century. In this satirical cartoon, we witness a man sitting on the chest of a woman who symbolizes London itself. Holding a banner with the word "Bumbledom" he wears an expression of utmost stupidity. The term "Bumbledom" encapsulates the conflicting jurisdictions and misgovernance that plagued London at that time. It represents those individuals who held power but lacked competence, leading to blunders and squabbles that stifled progress in what was considered the metropolis of the world. Tenniel's engraving skillfully portrays this concept through his use of monochrome imagery and intricate details. The black and white aesthetic adds depth to his satire, emphasizing both foolishness and oppression within society. This print serves as a reminder of London's struggle for effective governance during an era when incompetence seemed to prevail. Through his artistry, Tenniel highlights societal issues while also showcasing his own talent as an artist. As we observe this historical piece today, it prompts us to reflect on how far our cities have come in terms of administration and leadership. Yet it also reminds us not to take progress for granted; rather, we must remain vigilant against any resurgence of Bumbledom-like tendencies in our modern societies.
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