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Premium Framed Print : Vessantara Jataka, Chapter 13 (The Return to the Capital), 1920-1940. Creator: Unknown
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Vessantara Jataka, Chapter 13 (The Return to the Capital), 1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 13 (The Return to the Capital), 1920-1940
Heritage Images features heritage image collections
Media ID 36367252
© Heritage Art/Heritage Images
Buddhist Buddhists Cloth Elephant Jataka Marching Material Pigment Procession Processional Return Returning Siam South East Asia Southeast Asia Southeast Asian Story Thai Thailand Southeast Asia Theravada Troops Vessantara Jataka Victorious Victory Walters Art Museum Armed Services
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This image depicts a scene from the Vessantara Jataka, Chapter 13 (The Return to the Capital), dating back to the 1920s-1940s. The creator of this artwork remains unknown, adding to its intriguing allure. The Jataka tales are a collection of stories in Buddhist literature, and this particular chapter tells of the virtuous Prince Vessantara, who, after giving away his wife and children, is welcomed back to his kingdom in a grand procession. The painting showcases a vibrant and colorful scene of the prince's triumphant return. He is depicted on horseback, leading an elephant and surrounded by his loyal troops. The women and children follow behind, their joyful faces expressing their relief and happiness. The men in the procession are dressed in various shades of grey, pink, and rose, with some wearing textiles adorned with intricate patterns. The elephant, an essential symbol of power and wealth in ancient Asia, is beautifully rendered in grey, with its large, expressive eyes and long, curved tusks. The painting's exterior setting is reminiscent of ancient Siam (now Thailand), with its lush greenery and exotic flowers. The use of paints on cloth creates a rich texture, adding depth and dimension to the artwork. The scene exudes a sense of victory and triumph, as the prince and his people celebrate their reunion. This masterpiece is a testament to the heritage and arts of Southeast Asia and serves as a reminder of the enduring power of storytelling in Buddhist culture.
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