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Premium Framed Print : Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson
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Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson
Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). She Stoops to Conquer is a comedy by Anglo-Irish author Oliver Goldsmith that was first performed in London in 1773. The play is a favourite for study by English literature and theatre classes in the English-speaking world. From Goldsmiths She Stoops To Conquer, Act III. Pen-Drawing With Water-Colour. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme. [The Studio, Ltd. London, 1923]
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Media ID 14988243
© The Print Collector
British Book Illustration Comedy Courting Doorway Geoffrey Geoffrey Holme Goldsmith Holme Hugh Hugh Thomson Oliver Oliver Goldsmith The Studio Thomson She Stoops To Conquer
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print by Hugh Thomson, we are transported to the world of Oliver Goldsmith's renowned comedy, "She Stoops to Conquer". The scene depicted here is from Act III, where the characters engage in a delightful courting dance. The focus of the image is on two individuals standing at an open doorway. A gentleman and a lady are engaged in conversation, their body language suggesting a playful exchange. The man gazes admiringly at the woman before him while she stands confidently, having changed her dress as he had requested. Thomson's pen-drawing with watercolor brings life to this 18th-century setting. The interior is richly detailed with period furniture and decor, transporting us back in time. The vibrant green color palette adds a touch of elegance and sophistication to the composition. This illustration showcases Thomson's mastery as an artist and his ability to capture both the essence of Goldsmith's play and the spirit of 1920s Britain. It serves as a testament to British book illustration during that era. As viewers, we can't help but be drawn into this moment frozen in time – a snapshot of courtship and comedy intertwined. Through this print, we are reminded of the enduring appeal of literature and theatre across centuries – how they continue to captivate audiences through their timeless stories and universal themes.
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