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Premium Framed Print : Two Studies Flayed Man 1554 Bartolommeo da Arezzo
Framed Photos from Liszt Collection
Two Studies Flayed Man 1554 Bartolommeo da Arezzo
Two Studies of a Flayed Man, 1554. Bartolommeo da Arezzo (Italian, 1578). Pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure); sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18458732
© Liszt Collection
1554 1578 Brown Wash Figures Incised Pricked Two Studies Black Chalk
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> Animals
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> Cricetidae
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> Tuscany
> Arezzo
EDITORS COMMENTS
This print showcases "Two Studies of a Flayed Man" by Bartolommeo da Arezzo, an Italian artist from the late 16th century. The artwork is rendered in pen and brown ink, with brush and brown wash over black chalk. The sheet measures 40.5 x 27.6 cm (15 15/16 x 10 7/8 in. ), providing a detailed view of the intricate studies. The composition features two figures, both meticulously incised and pricked to enhance their anatomical accuracy. The left figure particularly stands out, capturing the viewer's attention with its expertly executed details. Bartolommeo da Arezzo's work on this piece demonstrates his exceptional skill in depicting human anatomy during a time when such studies were highly valued for medical purposes as well as artistic exploration. Through his use of various techniques and materials, he brings life to these flayed figures, showcasing their musculature and exposing their inner workings. This print allows art enthusiasts to appreciate the mastery behind Bartolommeo da Arezzo's creation while also serving as a reminder of the importance placed on understanding human anatomy during the Renaissance period. It serves as a testament to both scientific curiosity and artistic brilliance that continues to captivate viewers today.
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