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Premium Framed Print : ALBAN, Vicente (18th c. ). Yumbo Indian carrying
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ALBAN, Vicente (18th c. ). Yumbo Indian carrying
ALBAN, Vicente (18th c.). Yumbo Indian carrying his stuff. 1783. Casta paintings. Quito School. Colonial baroque. Oil on canvas. SPAIN. Madrid. Americas Museum
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Media ID 8283007
© Mary Evans/Iberfoto
Alban Baroque Casta Paintings Quito Stuff Vicente Persons
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This 18th century casta painting, titled "Vicente Alban, Yumbo Indian carrying his Stuff," showcases the daily life of an indigenous man from the Ecuadorian highlands. Painted by an unknown artist from the Quito School during the colonial period, this oil on canvas work is a prime example of the Colonial Baroque style that flourished in Spain's American territories. The central figure, Vicente Alban, is depicted as a Yumbo Indian, a member of the Caranqui people who inhabited the region around Quito before the Spanish conquest. He is shown carrying a large load on his back, balanced precariously with the aid of a wooden staff. The rich colors and intricate details in the painting reveal the care and skill of the artist, as well as the cultural significance of the subject matter. Casta paintings were a popular genre during the colonial period, used to illustrate the complex racial and social hierarchy of Spanish America. This painting, however, offers a glimpse into the daily life of an indigenous person, rather than focusing on his racial or social status. Vicente's strong, determined expression and the care he takes in balancing his load suggest a man who is accustomed to the physical demands of his environment. The painting is now housed in the Americas Museum in Madrid, Spain, where it continues to captivate viewers with its vibrant colors, intricate details, and insight into the lives of colonial-era indigenous people.
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