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Premium Framed Print : Artificial arm by Ambroise Par
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Artificial arm by Ambroise Par
Engraving showing a prosthethic arm by French barber and surgeon Ambroise Par頨 c. 1510 1590) or one of his contemporaries Date: 1887
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14308064
© Mary Evans Picture Library
1887 Ambroise Artificial Limb Surgeon Surgical Prosthesis
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This engraving, dated back to the late 16th century, depicts an intricately designed artificial arm created by the renowned French barber-surgeon, Ambroise Par (c. 1510-1590). Par, who was also known as "Moriu," was a pioneer in the field of prosthetics and surgical innovations during the Renaissance period. The image showcases the advanced level of craftsmanship and engineering that was achievable during this time, as the prosthetic arm appears to be meticulously constructed with various joints and intricate details that would have allowed for a greater range of motion and functionality. The arm, which is held aloft by an assistant, is adorned with ornate decorative elements, including intricate patterns and what appears to be precious stones. This level of detail suggests that the prosthetic was not only functional but also aesthetically pleasing, a testament to the importance placed on appearance during the Renaissance era. It is believed that Par developed this prosthetic arm, or a similar one, to help amputees regain some degree of mobility and independence after losing a limb due to injury or disease. Par's innovations in prosthetics and surgical techniques were groundbreaking for the time, and his work laid the foundation for future advancements in the field. This engraving, created in 1887, serves as a reminder of the remarkable achievements of Ambroise Par and the impact he had on the history of medicine and prosthetics. It also highlights the intricate craftsmanship and attention to detail that characterized the artistic and scientific pursuits of the Renaissance period.
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