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Premium Framed Print : King Philip II of Spain working on El Escorial, 1584
Framed Photos from Mary Evans Picture Library
King Philip II of Spain working on El Escorial, 1584
King Philip II of Spain overseeing the work on the Royal Site of San Lorenzo de El Escorial built in 1584. Surrounded by courtiers, soldiers, magistrates and masons. Scoglio di Filippo II. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1829
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Media ID 23384674
© Florilegius
1584 Antico Aragon Cardona Conquistador Corsi Cortes Diaz Effigy Escorial Ferrario Giulio Hernan Peoples Philip Rodrigo Sepolcro Tinted Tomb
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
King Philip II of Spain (1527-1598), one of the most powerful monarchs in European history, is depicted in this hand-colored copperplate engraving from 1829, as he oversees the construction of the Royal Site of San Lorenzo de El Escorial in Spain, begun in 1584. Surrounded by his courtiers, soldiers, magistrates, and masons, Philip stands confidently, dressed in the regal attire of the time, with a map or plan of the monument spread out before him. The imposing architectural project, which would later become the Royal Monastery and Royal Site of San Lorenzo de El Escorial, was designed by Juan Bautista de Toledo and Juan de Herrera, and was meant to serve as a monastery, royal palace, and mausoleum for Philip and his family. In the background, the construction site is bustling with activity, with workers laboring to build the grand edifice. Notable figures of the Spanish court, such as the Duke of Aragon, Cardinal Granada, and the Duke of Cardona, can be seen in attendance, paying homage to their king. The presence of Rodrigo Cid Rodezno, the Grand Master of the Order of Santiago, and Hernán Cortés, the famous conquistador, adds to the historical significance of the scene. The effigy of Philip II, which can be seen in the foreground, is likely a preliminary model or simulacro for his tomb, which was eventually completed and placed in the monument's basilica. This engraving, created by Giulio Ferrario and published in his Costumes Ancient and Modern of the Peoples of the World, offers a fascinating glimpse into the historical fashion and events of the late 16th century, as well as the grandeur and power of the Spanish monarchy during the reign of King Philip II.
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