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Premium Framed Print : Bertram Stevens
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Bertram Stevens
A portrait photograph of Art in Australia co-editor, Bertram Stevens. This photo was used, in some way as a memorial to him, announcing his death on a publication in February 1922, tributes led by Sydney Ure Smith. Date: circa 1922
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Media ID 32242666
© CLM Archive Collection / Mary Evans
Announcing Bertram Publication Stevens Sydney Tributes Unattributed 1922 Smith
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This evocative portrait of Bertram Stevens, co-editor of Art in Australia, was published as a memorial to him following his untimely death in February 1922. The image, which captures Stevens' thoughtful and introspective nature, was used to announce his passing in a special edition of the publication. The announcement was led by Sydney Ure Smith, a close friend and colleague, who penned a heartfelt tribute to Stevens and his significant contributions to the Australian art scene. Stevens, who was born in England but had made Australia his home, was a passionate advocate for the arts and played a pivotal role in promoting Australian artists both locally and internationally. Under his guidance, Art in Australia became a leading voice in the art world, showcasing the works of emerging and established artists and fostering a deeper appreciation for the cultural richness of the Australian landscape. The portrait, which is unattributed, captures Stevens in contemplative repose, with a serious expression that speaks to his deep commitment to his work. The photograph, which is part of the March of the Women Collection from Mary Evans Prints Online, serves as a poignant reminder of Stevens' enduring legacy and his lasting impact on the Australian art world.
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