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Premium Framed Print : The Edge Of The Bush
Framed Photos from Mary Evans Picture Library
The Edge Of The Bush
A landscape oil painting of a woodsman at the base of a large stump, with various tall trees behind him, situated near a forest in Australia. Date: circa 1919
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32257288
© CLM Archive Collection / Mary Evans
Behind Bush Crozier Edge Forest Frank Situated Stump Tall Woodsman 1919 Base Volume
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Edge of the Bush, Circa 1919 This evocative oil painting captures the essence of the Australian bush and the solitary figure of a woodsman at its edge. Painted in rich, earthy tones, the landscape portrays a dense forest of tall trees stretching towards the sky, their leaves casting dappled shadows on the forest floor. At the base of a massive stump, a woodsman stands, his weathered face etched with the lines of a life spent in the outdoors. His posture is contemplative, as if lost in thought or in communion with the natural world around him. The painting, created circa 1919, is a testament to the beauty and raw power of the Australian bush. Its vibrant colours and intricate details bring to life the textures and nuances of the forest, from the rough bark of the stump to the delicate patterns of the tree leaves. The artist's masterful use of light and shadow adds depth and dimension to the scene, creating a sense of depth and immersion. This painting was featured in the August volume of a popular magazine, Volume 11 of "March of the Women," published by Frank Crozier. The magazine, which focused on social and political issues, was known for its high-quality illustrations and photography. The inclusion of this painting in its pages speaks to its artistic merit and the enduring appeal of the Australian bush as a subject of inspiration. Today, The Edge of the Bush remains a beloved work of Australian art, a reminder of the beauty and mystery of the natural world and the connection between humanity and the land.
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