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Premium Framed Print : Teesside 2000 Tourist Attractions Feature, 22nd July 1993
Framed Photos from Memory Lane
Teesside 2000 Tourist Attractions Feature, 22nd July 1993
Teesside 2000 Tourist Attractions Feature, 22nd July 1993. Blacksmith Peat Oberon, busy at work in his shop in the Preston Park Museum
James Ashford
Teesside Archive
Mirrorpix
England
TA 93 3070
Media ID 21692937
© Mirrorpix
Anvil Blacksmith Forge Forging Hammer Metal Metalsmith Mge0514 Museums Remember When Tourism Tourist Attractions Supplement
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this print titled "Teesside 2000 Tourist Attractions Feature, 22nd July 1993" we are transported back to the bustling workshop of Blacksmith Peat Oberon in the Preston Park Museum. The image captures a moment frozen in time during the vibrant era of the 1990s. As we gaze upon this snapshot, our eyes are immediately drawn to Peat Oberon, who is engrossed in his craft. With an anvil before him and hammer in hand, he skillfully manipulates molten metal into works of art. The forge behind him radiates warmth and energy, symbolizing both tradition and innovation. This photograph not only showcases the mastery of blacksmithing but also serves as a reminder of Teesside's rich heritage and its commitment to preserving traditional trades. It encapsulates the essence of tourism attractions that were prevalent during that period, inviting visitors from far and wide to witness skilled artisans at work. James Ashford's lens has perfectly captured this nostalgic scene, evoking memories for those who remember when such crafts were more commonplace. This print acts as a supplement to our collective memory by immortalizing moments like these within museums or personal collections. Without mentioning commercial use or any specific company associated with it, this print transports us back in time while simultaneously celebrating craftsmanship and tourism on Teesside.
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