Ocular plants, 16th century artwork
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Ocular plants, 16th century artwork
Ocular plants, 16th century artwork. These floral plants include sedum album, wolfs bane (aconitum), and houseleek (sempervivum tectorum). Artwork from the book Phytognomonica (Naples, 1588) by the Italian scholar and polymath Giambattista della Porta (circa 1535-1615). The book is about della Portas theory of the doctrine of signatures, where plants bore a physical resemblance either to a celestial body, or to the body part which they were able to cure
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Media ID 6301597
© MIDDLE TEMPLE LIBRARY/SCIENCE PHOTO LIBRARY
1500s 1588 16th Century Celestial Giambattista Della Porta House Leek Italian Ocular Aconitum Mono Chrome Sedum Album Sempervivum Tectorum
EDITORS COMMENTS
This 16th-century artwork, titled "Ocular Plants" showcases the intricate beauty of nature's floral wonders. Created by Italian scholar and polymath Giambattista della Porta, this monochrome illustration is a part of his renowned book Phytognomonica, published in Naples in 1588. The artwork features three distinct plants: sedum album, wolfs bane (aconitum), and houseleek (sempervivum tectorum). Each plant holds significance within della Porta's theory of the doctrine of signatures - a belief that plants resemble either celestial bodies or body parts they can heal. In this case, these botanical specimens bear resemblance to the human eye. As we delve into the historical context surrounding this masterpiece, it becomes evident that it not only serves as an artistic expression but also as a testament to early medical practices. Della Porta's work aimed to uncover the hidden connections between nature and medicine. Through its meticulous details and delicate strokes, this artwork transports us back to an era where scientific exploration intertwined with artistry. It reminds us of our ancestors' curiosity about the natural world and their relentless pursuit of knowledge. Today, "Ocular Plants" continues to captivate viewers with its timeless allure. Its presence on Science Photo Library allows us to appreciate both its aesthetic appeal and its invaluable contribution to our understanding of botany, history, biology, and medicine during the Renaissance period.
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