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Italy, Oval of apparitions painting
Filename: 940_18_87030059.jpg
Size: 2404 x 3618 (2.9MB)
Date: 12th March 2014
Source: Universal Images Group (UIG)
Source: De Agostini Picture Library
© DEA / L. CARRA
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Universal Images Group (UIG) Photo Prints and Wall Art
Italy, Oval of apparitions painting
Carlo CarrA
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9503791
© DEA / L. CARRA
20th Century Style Figurine Fish Flat Four Objects Mannequin Oval Painted Image Residential Structure Still Life Wooden Floor Animal Representation
EDITORS COMMENTS
This print showcases the mesmerizing artwork of Carlo Carrà, specifically his renowned painting titled "Italy, Oval of Apparitions". The composition is a stunning blend of flat and fish-like shapes, with an oval at its core. A mannequin figurine stands prominently in the center, surrounded by architectural elements that exude a sense of history and grandeur. The vertical orientation emphasizes the height and majesty of this still life scene. Bathed in natural daylight streaming through a window, the wooden floor adds warmth to the overall ambiance. The building exterior visible through the glass hints at an intriguing location where this masterpiece resides. Within this 20th-century style painting, four objects take center stage: the enigmatic mannequin figure, symbolic architecture representing Italy's rich heritage, an oval shape suggesting mystery and spirituality, and a fish-like form adding an element of surprise. This eclectic mix creates a thought-provoking illustration that invites viewers to delve into their own interpretations. As we explore this painted image devoid of human presence yet teeming with symbolism, it becomes evident that Carrà's fine art transcends traditional boundaries. His ability to infuse residential structures with profound meaning elevates his work beyond mere representation. This print from Universal Images Group (UIG) captures not only Carrà's artistic brilliance but also serves as a reminder that art has no commercial limitations – it is meant to be appreciated for its intrinsic value alone.
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