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Kom Ombo, November 1838. Lithograph of 1856 after David Roberts (1796-1864) Scottish artist

Kom Ombo, November 1838. Lithograph of 1856 after David Roberts (1796-1864) Scottish artist


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Filename: 917_05_0510005549.jpg

Size: 5161 x 3392 (12.8MB)

Date: 28th March 2014

Source: Universal Images Group (UIG)

© Universal History Archive/Universal Images Group

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Kom Ombo, November 1838. Lithograph of 1856 after David Roberts (1796-1864) Scottish artist

Kom Ombo, November 1838. Lithograph of 1856 after David Roberts (1796-1864) Scottish artist and orientalist. Temple on Nile 30 miles north of Aswan, Egypt, built 332 BC-395 AD. Dedicated to Sobek and Horus. Religion Mythology

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Media ID 9771565

© Universal History Archive/Universal Images Group

1796 1864 1838 1856 Artist Aswan Built David Dedicated Egypt Horus Lithograph Miles Mythology Nile North November Orientalist Roberts Scottish Ombo Sobek


EDITORS COMMENTS
This lithograph, created in 1856 by Scottish artist and orientalist David Roberts, transports us to the ancient city of Kom Ombo on a November day in 1838. The print showcases the remarkable Temple on the banks of the majestic Nile River, situated approximately 30 miles north of Aswan, Egypt. Built between 332 BC and 395 AD, this temple holds great significance as it is dedicated to two powerful deities: Sobek, the crocodile-headed god associated with fertility and protection; and Horus, the falcon-headed god symbolizing kingship and divine authority. Its architectural grandeur reflects both religious devotion and artistic mastery. Roberts's meticulous attention to detail brings this sacred site to life. Every intricate carving on its walls tells a story from Egyptian mythology. The lithograph captures not only the temple's impressive facade but also its serene surroundings—a testament to Roberts's ability to capture both beauty and historical context. As we gaze upon this artwork today, we are reminded of how art can bridge time gaps—allowing us a glimpse into ancient civilizations that shaped our world. This particular piece serves as an invaluable record of British exploration during the nineteenth century—an era when artists like Roberts ventured far beyond their homeland seeking inspiration from distant lands

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