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Origami wreaths at Atomic Bomb Hypocenter, Nagasaki, Kyushu Region, Japan, Asia
Filename: 776-1592.jpg
Size: 3413 x 5120 (7.2MB)
Date: 6th December 2007
Source: WorldInPrint
Credit: Richard Cummins/Robert Harding
Copyright Status: Copyrighted Work
City: Nagasaki
County: Kyushu Region
Country: Japan
© Richard Cummins
Wall Art and Photo Gifts from Robert Harding
Origami wreaths at Atomic Bomb Hypocenter, Nagasaki, Kyushu Region, Japan, Asia
Robert Harding Picture Library provides high quality travel, nature, wildlife & environmental photos
Media ID 3639998
© Richard Cummins
Colorful Craft Garland Japanese Kyushu Large Group Of Objects Nagasaki Offer Offering Paper Shrine Wreath Wreaths Far East Origami
EDITORS COMMENTS
This print captures the solemn beauty of origami wreaths adorning the Atomic Bomb Hypocenter in Nagasaki, Kyushu Region, Japan. The wreaths, meticulously crafted with vibrant colors and traditional Japanese designs, stand as a poignant symbol of remembrance and respect. As one gazes upon this image, they are transported to a place where tradition meets tragedy. The wreaths represent a cultural offering to honor those who lost their lives during the devastating atomic bomb attack on Nagasaki. Each delicate fold of paper holds within it the collective prayers and wishes for peace from visitors near and far. The juxtaposition of these colorful creations against the backdrop of such a historically significant site evokes both sorrow and hope. It serves as a reminder that even amidst unimaginable destruction, humanity can find solace in its rich cultural heritage. Nagasaki's Atomic Bomb Hypocenter is not only an important tourist attraction but also a sacred shrine where people come to pay their respects and learn about the city's history. This photograph encapsulates the essence of travel photography - capturing moments that transcend time and space while preserving them for future generations. Richard Cummins/Robert Harding skillfully portrays this scene in vertical composition, emphasizing both the grandeur of these large groups of objects and their significance within Japanese culture. Through his lens, we are invited to reflect on our shared humanity and strive for a world free from violence.
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