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The Islands of Bermuda and the frontispiece of the section dedicated to the United Colonies of North America, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
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The Islands of Bermuda and the frontispiece of the section dedicated to the United Colonies of North America, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
The Islands of Bermuda and the frontispiece of the section dedicated to the United Colonies of North America, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0056
Media ID 33185859
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases "The Islands of Bermuda and the frontispiece of the section dedicated to the United Colonies of North America" an engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork, now part of a private collection in Florence, captures the essence of eighteenth-century cartography with its intricate details and Renaissance-Baroque style. In this piece, Zuliani skillfully combines elements of geography, symbolism, and allegory to create a visually stunning representation. The map itself depicts both Bermuda and the United Colonies of North America, providing viewers with a glimpse into these historically significant regions during that period. The artist's attention to detail is evident as he meticulously renders coastlines, islands, and bodies of water. Each stroke on paper serves as a means for communication between cartographer and viewer; it invites exploration and sparks curiosity about these distant lands. Beyond its geographical significance lies an abstract concept conveyed through symbols present within the engraving. This artwork acts as a testament to human ingenuity in mapping uncharted territories while also serving as historical documentation. Dating back to 1778 when it was created, this engraving represents not only an instrument for navigation but also a reflection of European artistic styles prevalent during that era. Its existence bridges two distinct periods - Renaissance and Baroque - showcasing their influence on each other. Photographed in 2009 by Alinari, this image preserves not just an exquisite work from history but also highlights how art can transcend time. It reminds us that even centuries later we can still appreciate the beauty captured within those lines drawn so long ago.
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