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The Kingdom of Scotland, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The Kingdom of Scotland, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
The Kingdom of Scotland, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0050
Media ID 33187589
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases "The Kingdom of Scotland" an exquisite engraving created by G. Zuliani in 1776 and published in Venice as part of Antonio Zatta's renowned "Newest Atlas". Housed in a private collection, this artwork represents the epitome of Renaissance-Baroque styles and periods, capturing the essence of eighteenth-century Europe. Zuliani's masterful craftsmanship is evident in every intricate detail of this engraving. The map depicts the majestic landscapes and territorial boundaries that define the Kingdom of Scotland. With its delicate lines and meticulous shading, it offers a visual feast for cartography enthusiasts and history lovers alike. As we delve into this remarkable piece, we are transported back to a time when maps were not just tools but works of art. This engraving serves as both an instrument for navigation and a symbol representing Scotland's rich cultural heritage. It encapsulates the abstract concept of territory while also conveying geographical information with precision. The inclusion of sea surrounding the Scottish landmass emphasizes its island status, highlighting its unique position within Europe during the first and second millenniums A. D. Through this artistic portrayal, Zuliani captures not only physical geography but also conveys a sense of place—a scene where land meets water. Photographed in 2009 by Alinari—an esteemed name associated with writing, communication, graphics—the image preserves every stroke made by Zuliani more than two centuries ago. Its presence evokes nostalgia for an era when such engravings were vital means of communication—when they served as windows to distant lands or gateways to unexplored territories. In summary, this extraordinary print immortalizes G. Zuliani's enchanting engraving from Antonio Zatta's "Newest Atlas". It invites us to appreciate not only its technical brilliance but also its ability to convey historical significance through artistry—a true testament to human ingenuity across different eras.
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