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Provinces of Frisia, Groningen and Over-Yssel with a part of Holland proper, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
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Provinces of Frisia, Groningen and Over-Yssel with a part of Holland proper, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
Provinces of Frisia, Groningen and Over-Yssel with a part of Holland proper, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0069
Media ID 33185897
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork depicts the Provinces of Frisia, Groningen and Over-Yssel with a part of Holland proper, offering a glimpse into the intricate cartography and geographical details of that era. The engraving beautifully captures the Renaissance-Baroque styles and periods prevalent during the eighteenth century in Europe. It is a testament to the meticulous craftsmanship and artistic prowess of Zuliani, who skillfully brings forth both abstract concepts and symbols through his work. As we delve into this piece, it becomes evident that it serves as more than just a map; it is an allegory for communication, drawing us closer to understanding how territories were perceived during this time period. The sea surrounding these provinces symbolizes their connection to other lands while also emphasizing their isolation as islands amidst vast waters. The significance of this artwork extends beyond its aesthetic appeal; it represents an important instrument and document in historical geography. By examining this engraving closely, one can gain insights into not only the physical landscapes but also the cultural nuances embedded within these regions. Dating back to 1778 when it was created, this masterpiece has stood the test of time. Its presence in private collections speaks volumes about its enduring allure and value among art enthusiasts worldwide. In conclusion, Alinari's photograph allows us to appreciate not only Zuliani's remarkable talent but also offers a window into European history during the eighteenth century. This print invites us on a journey through time where we can explore both tangible landscapes and intangible concepts expressed through artistry at its finest.
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