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Canvas Print : London Corresponding Society, alarm d, or Guilty Conscience

London Corresponding Society, alarm d, or Guilty Conscience



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London Corresponding Society, alarm d, or Guilty Conscience

NCO190103 London Corresponding Society, alarm d, or Guilty Conscience, published by Hannah Humphrey in 1798 (hand-coloured etching and aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: a comment on the role of the Societys role in the Irish Rebellion of 1798; fear of rebellion in England; ); English, out of copyright

Media ID 23354970

© Bridgeman Images

Cellar Clandestine Conference Deformed Frightened Grotesque Illegal Labourers Political Satire Propaganda Propagandistic Revolutionaries Scared Secret Seditious Shadows Ugly Underground Working Class Dank


20"x16" (51x41cm) Canvas Print

Bring the historical charm of 18th century England into your home with our Media Storehouse Canvas Prints featuring the iconic work "London Corresponding Society, Alarm d, or Guilty Conscience" by James Gillray. This captivating etching and aquatint, published by Hannah Humphrey in 1798, showcases the intriguing London Corresponding Society, a radical political group, and their allegorical representation of the "Guilty Conscience" or "Alarm." Add a touch of history and fine art to your decor with this stunning, high-quality canvas print from Bridgeman Images through Fine Art Finder. Each print is carefully crafted to bring out the rich details and vibrant colors of Gillray's masterpiece, making it a truly unique addition to your space.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > Oxford

> Europe > United Kingdom > England > Politics

> Popular Themes > Politics

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Artists > John Everett Millais

> Fine Art Finder > Cartoons, Caricatures & Humour


EDITORS COMMENTS
This hand-coloured etching and aquatint print, titled "London Corresponding Society, alarm d, or Guilty Conscience" captures a moment of intense political tension during the late 18th century. Created by James Gillray in 1798 and published by Hannah Humphrey, this piece serves as a scathing commentary on the role of the London Corresponding Society (LCS) in relation to the Irish Rebellion of that same year. The image depicts a clandestine meeting held in an eerie cellar setting. The labourers present exude a menacing atmosphere as they gather under shadows, their deformed and grotesque appearances reflecting their working-class status. This satirical caricature aims to instill fear among viewers about potential rebels within society. The LCS was known for its radical ideologies and seditious activities aimed at challenging the government's authority. As fears of rebellion spread throughout England following the Irish uprising, this print highlights both public anxiety and propaganda against revolutionary movements. Gillray's engraving masterfully portrays frightened revolutionaries engaged in an illegal conference. The dank surroundings add to the secretive nature of their gathering while emphasizing their underground operations. Through this propagandistic artwork, Gillray seeks to expose what he perceives as dangerous elements within society threatening stability and order. Today, this historical print provides valuable insight into political satire during that era while shedding light on societal anxieties surrounding rebellion and social unrest. Courtesy of New College Oxford's collection via Bridgeman Images, it continues to

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