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Photographic Print : London Corresponding Society, alarm d, or Guilty Conscience

London Corresponding Society, alarm d, or Guilty Conscience




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London Corresponding Society, alarm d, or Guilty Conscience

NCO190103 London Corresponding Society, alarm d, or Guilty Conscience, published by Hannah Humphrey in 1798 (hand-coloured etching and aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: a comment on the role of the Societys role in the Irish Rebellion of 1798; fear of rebellion in England; ); English, out of copyright

Media ID 23354970

© Bridgeman Images

Cellar Clandestine Conference Deformed Frightened Grotesque Illegal Labourers Political Satire Propaganda Propagandistic Revolutionaries Scared Secret Seditious Shadows Ugly Underground Working Class Dank


10"x8" Photo Print

Experience the captivating history of London's past with our exquisite selection of Photographic Prints from Bridgeman Images. This remarkable piece, titled "London Corresponding Society, alarm d, or Guilty Conscience," is an 18th-century masterpiece by the renowned satirical artist, James Gillray. Published by Hannah Humphrey in 1798, this hand-coloured etching and aquatint depicts a powerful and thought-provoking image of the London Corresponding Society, a radical political organization of the time. Add this stunning work of art to your collection and bring a piece of historical significance into your home or office. Order your Photographic Print from Media Storehouse today and relish the beauty and intrigue of this iconic masterpiece.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Artists > John Everett Millais

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> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > Oxford

> Europe > United Kingdom > England > Politics

> Popular Themes > Politics


EDITORS COMMENTS
This hand-coloured etching and aquatint print, titled "London Corresponding Society, alarm d, or Guilty Conscience" captures a moment of intense political tension during the late 18th century. Created by James Gillray in 1798 and published by Hannah Humphrey, this piece serves as a scathing commentary on the role of the London Corresponding Society (LCS) in relation to the Irish Rebellion of that same year. The image depicts a clandestine meeting held in an eerie cellar setting. The labourers present exude a menacing atmosphere as they gather under shadows, their deformed and grotesque appearances reflecting their working-class status. This satirical caricature aims to instill fear among viewers about potential rebels within society. The LCS was known for its radical ideologies and seditious activities aimed at challenging the government's authority. As fears of rebellion spread throughout England following the Irish uprising, this print highlights both public anxiety and propaganda against revolutionary movements. Gillray's engraving masterfully portrays frightened revolutionaries engaged in an illegal conference. The dank surroundings add to the secretive nature of their gathering while emphasizing their underground operations. Through this propagandistic artwork, Gillray seeks to expose what he perceives as dangerous elements within society threatening stability and order. Today, this historical print provides valuable insight into political satire during that era while shedding light on societal anxieties surrounding rebellion and social unrest. Courtesy of New College Oxford's collection via Bridgeman Images, it continues to

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