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Canvas Print : Figaro, illustration from Act III Scene 12 of The Barber of Seville by
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Figaro, illustration from Act III Scene 12 of The Barber of Seville by
XIR239527 Figaro, illustration from Act III Scene 12 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Ferdinand Delanoy (fl.1850) 1874 (engraving) (b/w photo) by Staal, Pierre Gustave Eugene (Gustave) (1817-82) (after); Bibliotheque de L Arsenal, Paris, France; (add.info.: turned into opera by Gioacchino Rossini (1792-1868); ); French, out of copyright
Media ID 12768750
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Angry Buffa Fonds Rondel Le Barbier De Seville Lover Quarrel Quarrelling Razor Role Shaved Shaving Lovers
20"x16" (51x41cm) Canvas Print
Bring the timeless charm of opera to your home with our Media Storehouse Canvas Prints. This exquisite illustration from Act III Scene 12 of The Barber of Seville, featuring the mischievous Figaro, is a captivating masterpiece by Pierre Augustin Caron de Beaumarchais, engraved by Ferdinand Delanoy. The intricate lines and delicate shading of this black and white engraving are beautifully rendered on our premium canvas, creating a stunning work of art that is sure to be a conversation starter in any room. Elevate your decor and add a touch of culture and sophistication to your space with our Media Storehouse Canvas Prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures the essence of Figaro, one of the most iconic characters in opera history. Taken from Act III Scene 12 of "The Barber of Seville" by Pierre Augustin Caron de Beaumarchais, this illustration beautifully showcases Figaro's lively personality and mischievous charm. Engraved by Ferdinand Delanoy in 1874, this image brings to life the vibrant world created by Caron de Beaumarchais. The play was later transformed into an opera by Gioacchino Rossini, further solidifying Figaro's place in theatrical history. In this scene, we see Figaro dressed as a valet to Count Almaviva, engaging in a quarrel with another character. His Spanish costume adds an exotic touch to his already charismatic presence. Despite the heated exchange depicted here, there is a hint of a smile on his face - perhaps indicative of his cleverness and ability to navigate any situation. Figaro's role as both a lover and servant is evident through his youthful appearance juxtaposed with the older man he confronts. Holding a razor while shaving suggests that he possesses not only wit but also skillful hands. With its comic undertones and buffa style, "The Barber of Seville" continues to captivate audiences worldwide. This print allows us to glimpse into the world created by Caron de Beaumarchais and brought to life through Gustave Staal's lens – an unforgettable portrayal of
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