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Canvas Print : Post-Impressionist Expressions: Sketches of the 1910-11 Manet and the Post-Impressionists Exhibition at the Grafton Galleries, 1910 (pen & ink and w/c on paper) (b/w photo)
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Post-Impressionist Expressions: Sketches of the 1910-11 Manet and the Post-Impressionists Exhibition at the Grafton Galleries, 1910 (pen & ink and w/c on paper) (b/w photo)
ILN195636 Post-Impressionist Expressions: Sketches of the 1910-11 Manet and the Post-Impressionists Exhibition at the Grafton Galleries, 1910 (pen & ink and w/c on paper) (b/w photo) by Reynolds, Frank (1876-1953); The Illustrated London News Picture Library, London, UK; (add.info.: curated and organised by Roger Fry; introduction of modern art to Britain and British;)
Media ID 38104620
© Bridgeman Images
Alarmed Art Appreciation Bloomsbury Bloomsbury Group Bloomsbury Set Controversial Critic Critics Disgusted Display Exhibit Gallery Opinion Peering Reynolds Frank 1876 1953 Shock Surprise Viewing Visitor Visitors
20"x16" (51x41cm) Canvas Print
Immerse yourself in the vibrant world of Post-Impressionist art with our Canvas Prints featuring sketches from the iconic 'Manet and the Post-Impressionists Exhibition'. Add a touch of artistic flair to your space with this captivating piece by Bridgeman Images.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of the groundbreaking 'Manet and the Post-Impressionists Exhibition' at the Grafton Galleries in 1910-11. The sketches by Frank Reynolds depict a mix of emotions from visitors, ranging from surprise to disgust, as they encounter modern art for the first time in Britain.
Curated and organized by Roger Fry, this exhibition marked a turning point in British art history, introducing Post-Impressionist expressions to a new audience. The satirical drawings capture the controversial nature of the exhibit, with critics and visitors alike expressing their varied opinions through caricatures.
The scene is filled with tension as viewers peer closely at paintings that challenge traditional artistic norms. Some are shocked, others alarmed, but all are engaged in a dialogue about the future of art appreciation in England.
Reynolds' illustrations provide a glimpse into the mixed reception that greeted these avant-garde works, reflecting both curiosity and skepticism towards this new wave of creativity. As part of the Bloomsbury Group's influence on British culture, this exhibition paved the way for further exploration and experimentation within the realm of visual arts.
This print serves as a powerful reminder of how art has always been at the forefront of cultural evolution, pushing boundaries and sparking debate among those who dare to engage with it.
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