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Metal Print : Post-Impressionist Expressions: Sketches of the 1910-11 Manet and the Post-Impressionists Exhibition at the Grafton Galleries, 1910 (pen & ink and w/c on paper) (b/w photo)

Post-Impressionist Expressions: Sketches of the 1910-11 Manet and the Post-Impressionists Exhibition at the Grafton Galleries, 1910 (pen & ink and w / c on paper) (b / w photo)



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Post-Impressionist Expressions: Sketches of the 1910-11 Manet and the Post-Impressionists Exhibition at the Grafton Galleries, 1910 (pen & ink and w/c on paper) (b/w photo)

ILN195636 Post-Impressionist Expressions: Sketches of the 1910-11 Manet and the Post-Impressionists Exhibition at the Grafton Galleries, 1910 (pen & ink and w/c on paper) (b/w photo) by Reynolds, Frank (1876-1953); The Illustrated London News Picture Library, London, UK; (add.info.: curated and organised by Roger Fry; introduction of modern art to Britain and British;)

Media ID 38104620

© Bridgeman Images

Alarmed Art Appreciation Bloomsbury Bloomsbury Group Bloomsbury Set Controversial Critic Critics Disgusted Display Exhibit Gallery Opinion Peering Reynolds Frank 1876 1953 Shock Surprise Viewing Visitor Visitors


16"x20" (51x41cm) Metal Print

Transform your space with the timeless beauty of Post-Impressionist Expressions captured in this stunning Metal Print from Media Storehouse. Featuring sketches from the iconic 1910-11 'Manet and the Post-Impressionists Exhibition', this piece by Bridgeman Images is sure to add a touch of artistry to any room.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Frank Reynolds

> Fine Art Finder > Exhibitions,artists Studios,private

> Fine Art Finder > Militaria

> Animals > Fishes > G > Grouper

> Arts > Artists > F > Roger Fry

> Arts > Fine Art

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings

> Arts > Modern art pieces

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Museums > British Library

> Europe > United Kingdom > England > Paintings


EDITORS COMMENTS
This print captures the essence of the groundbreaking 'Manet and the Post-Impressionists Exhibition' at the Grafton Galleries in 1910-11. The sketches by Frank Reynolds depict a mix of emotions from visitors, ranging from surprise to disgust, as they encounter modern art for the first time in Britain. Curated and organized by Roger Fry, this exhibition marked a turning point in British art history, introducing Post-Impressionist expressions to a new audience. The satirical drawings capture the controversial nature of the exhibit, with critics and visitors alike expressing their varied opinions through caricatures. The scene is filled with tension as viewers peer closely at paintings that challenge traditional artistic norms. Some are shocked, others alarmed, but all are engaged in a dialogue about the future of art appreciation in England. Reynolds' illustrations provide a glimpse into the mixed reception that greeted these avant-garde works, reflecting both curiosity and skepticism towards this new wave of creativity. As part of the Bloomsbury Group's influence on British culture, this exhibition paved the way for further exploration and experimentation within the realm of visual arts. This print serves as a powerful reminder of how art has always been at the forefront of cultural evolution, pushing boundaries and sparking debate among those who dare to engage with it.

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