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Canvas Print : The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown
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The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown
The International Exhibition: decoration, in the Furniture Court, by John G. Crace - from a photograph by the London Stereoscopic Company, 1862. This decorative arrangement is formed into three portions (of which the central is the widest) by four pilasters, which bear the richest portion of the decoration; the upper part of the central section is occupied by an arch filled with ornamental griffins, and a shield bearing the initials of its producer, and the upper portions of the side compartments with panels, in the centre of which arc pictorial medallions. In style this decoration is French Renaissance...The ornament of the pilasters is in the richest colours, and is wrought upon a toothed gold ground. In the central columns boys are introduced, and in the side pilasters urns of flowers. The capitals are gold, and the bases imitations of rich marbles and bronze. This decoration is, unquestionably, gorgeous, yet it is not obtrusive. It is harmonious and well composed, and stands rather with the aspect of conscious worth than gaudy showiness'. From "Illustrated London News", 1862
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Media ID 35125367
© The Print Collector/Heritage Images
1862 International Exhibition Cultural Event Exposition Great London Exposition International Exhibition Of 1862 London Stereoscopic And Photographic Co London Stereoscopic Co London Stereoscopic Company London Stereoscopic Photo Co London Stereoscopic Photographic Co Ornament Ornaments Ornate Pilaster The London Stereoscopic Co Trade Fair World Fair Worlds Fair
20"x16" (51x41cm) Canvas Print
Bring the enchantment of history into your home with Media Storehouse's Canvas Prints. This exquisite piece features "The International Exhibition: decoration, in the Furniture Court," an 1862 photograph by John G. Crace from Heritage Images. The intricate details and vibrant colors of this timeless image are beautifully captured in our high-quality canvas prints, making it a stunning addition to any room. Relive the elegance of the past with this unique and captivating decorative piece. Unknown creator, but known to inspire awe. #HistoryInYourHome #CanvasPrints #DecorativeArt
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph, titled "The International Exhibition: decoration, in the Furniture Court, by John G. Crace," showcases an exquisite decorative arrangement from the 1862 International Exhibition, as captured by the London Stereoscopic Company. The decoration is located in the Furniture Court, and was designed by the renowned English architect and decorator, John G. Crace. The decorative scheme is divided into three sections, with the central one being the widest. Each section is supported by four pilasters, which bear the most elaborate decoration. The upper part of the central section features an arch filled with ornamental griffins and a shield bearing the initials of its producer. The upper portions of the side compartments are adorned with panels, each containing a pictorial medallion. The style of this decoration is reminiscent of the French Renaissance, with the ornamentation in the richest colors wrought upon a toothed gold ground. Boys are depicted in the central columns, and urns of flowers are featured in the side pilasters. The capitals are gold, and the bases are imitations of rich marbles and bronze. Despite its grandeur, this decoration is not ostentatious. It is harmonious and well-composed, exuding a sense of conscious worth rather than gaudy showiness. The photograph offers a glimpse into the opulence and artistic sophistication of the International Exhibition, leaving us in awe of the intricate details and the masterful craftsmanship of John G. Crace.
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