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Photo Mug : The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown

The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown




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The International Exhibition: decoration, in the Furniture Court, by John G. Crace... 1862. Creator: Unknown

The International Exhibition: decoration, in the Furniture Court, by John G. Crace - from a photograph by the London Stereoscopic Company, 1862. This decorative arrangement is formed into three portions (of which the central is the widest) by four pilasters, which bear the richest portion of the decoration; the upper part of the central section is occupied by an arch filled with ornamental griffins, and a shield bearing the initials of its producer, and the upper portions of the side compartments with panels, in the centre of which arc pictorial medallions. In style this decoration is French Renaissance...The ornament of the pilasters is in the richest colours, and is wrought upon a toothed gold ground. In the central columns boys are introduced, and in the side pilasters urns of flowers. The capitals are gold, and the bases imitations of rich marbles and bronze. This decoration is, unquestionably, gorgeous, yet it is not obtrusive. It is harmonious and well composed, and stands rather with the aspect of conscious worth than gaudy showiness'. From "Illustrated London News", 1862

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Media ID 35125367

© The Print Collector/Heritage Images

1862 International Exhibition Cultural Event Exposition Great London Exposition International Exhibition Of 1862 London Stereoscopic And Photographic Co London Stereoscopic Co London Stereoscopic Company London Stereoscopic Photo Co London Stereoscopic Photographic Co Ornament Ornaments Ornate Pilaster The London Stereoscopic Co Trade Fair World Fair Worlds Fair


Large Photo Mug (15 oz)

Bring history to your morning routine with our Media Storehouse Photo Mug featuring the enchanting decoration in the Furniture Court from The International Exhibition, 1862. This captivating image, captured by the London Stereoscopic Company and showcasing the intricate work of John G. Crace, is now transformed into a functional and stylish mug. Perfect for sipping your favorite beverage and reminiscing about the rich history of exhibitions and decorative arts. Order yours today and start your day with a touch of the past.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Black Bear

> Architecture > Country > France

> Architecture > Ornamental

> Architecture > Related Images

> Architecture > Styles > International Architecture

> Arts > Art Movements > Renaissance Art

> Arts > Artists > W > John White

> Europe > United Kingdom > England > London > Towns > Welling

> Historic > Renaissance art

> Renaissance art


EDITORS COMMENTS
This photograph, titled "The International Exhibition: decoration, in the Furniture Court, by John G. Crace," showcases an exquisite decorative arrangement from the 1862 International Exhibition, as captured by the London Stereoscopic Company. The decoration is located in the Furniture Court, and was designed by the renowned English architect and decorator, John G. Crace. The decorative scheme is divided into three sections, with the central one being the widest. Each section is supported by four pilasters, which bear the most elaborate decoration. The upper part of the central section features an arch filled with ornamental griffins and a shield bearing the initials of its producer. The upper portions of the side compartments are adorned with panels, each containing a pictorial medallion. The style of this decoration is reminiscent of the French Renaissance, with the ornamentation in the richest colors wrought upon a toothed gold ground. Boys are depicted in the central columns, and urns of flowers are featured in the side pilasters. The capitals are gold, and the bases are imitations of rich marbles and bronze. Despite its grandeur, this decoration is not ostentatious. It is harmonious and well-composed, exuding a sense of conscious worth rather than gaudy showiness. The photograph offers a glimpse into the opulence and artistic sophistication of the International Exhibition, leaving us in awe of the intricate details and the masterful craftsmanship of John G. Crace.

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