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Canvas Print : L'idéal de certains journaux, 19th century. Creator: Honore Daumier
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L'idéal de certains journaux, 19th century. Creator: Honore Daumier
L'ideal de certains journaux, 19th century.
The ideal of some newspapers
Heritage Images features heritage image collections
Media ID 36287499
© Heritage Art/Heritage Images
Actualites Caricatures Cartoons Daumier Honore Daumier Honore Victorin H Daumier Honore Daumier Honore Victorin Daumier Influence Lithographic National Assembly Parliament Lithotint Parody Satirical
20"x16" (51x41cm) Canvas Print
Bring a piece of historical art into your home with our Media Storehouse Canvas Print of Honore Daumier's "L'idéal de certains journaux" (The ideal of some newspapers), 19th century. This captivating work by the renowned French artist showcases Daumier's satirical take on the journalism industry of his time. With its rich colors and intricate details, this canvas print is not only an elegant addition to any room but also a conversation starter. Experience the mastery of Daumier's brushstrokes and the wit of his commentary as you bring this iconic piece to life in your personal space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
L'Idéal de certains journaux" (The Ideal of Some Newspapers), created by the renowned French artist Honore Daumier in the 19th century, is a powerful and thought-provoking lithograph that offers a biting commentary on the role of the press in society during that era. The image depicts a chaotic scene of male and female figures, each representing different newspapers or aspects of the press. The central figure, a disheveled man wearing a top hat and holding a large newspaper, is labeled "L'Idéal" or "The Ideal." He is surrounded by a multitude of other figures, each representing various newspapers and aspects of the press, such as "La Vérité" (The Truth), "L'Impartial" (The Impartial), and "La Ridicule" (Ridicule). The caricatured figures are depicted in various states of distress, with some appearing dejected and others in a state of frenzy. Some figures are shown trying to pull down the ideal, while others are attempting to prop it up. The overall effect is one of chaos and confusion, reflecting the tumultuous nature of the press during this period. Daumier's use of lettering and illustration in this lithograph is masterful, with each figure and label expertly rendered in monochrome. The image is a testament to Daumier's skill as a satirist and his ability to capture the essence of the political and social climate of his time. This historic work continues to influence artists and commentators today, offering a unique perspective on the role of the press in shaping public opinion and reflecting the values and concerns of a nation. This lithograph is a must-see for anyone interested in the history of art, politics, and the press. It is currently on display at the National Gallery of Art in Washington, D.C., as part of their extensive collection of 19th-century art and heritage. The image is a powerful reminder of the enduring influence of art and the importance of a free and independent press in shaping the course of history.
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