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Metal Print : L'idéal de certains journaux, 19th century. Creator: Honore Daumier

L'idéal de certains journaux, 19th century. Creator: Honore Daumier



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L'idéal de certains journaux, 19th century. Creator: Honore Daumier

L'ideal de certains journaux, 19th century.
The ideal of some newspapers

Heritage Images features heritage image collections

Media ID 36287499

© Heritage Art/Heritage Images

Actualites Caricatures Cartoons Daumier Honore Daumier Honore Victorin H Daumier Honore Daumier Honore Victorin Daumier Influence Lithographic National Assembly Parliament Lithotint Parody Satirical


16"x20" (51x41cm) Metal Print

Bring a piece of 19th-century journalistic history into your home with our Media Storehouse Metal Print of Honore Daumier's "L'idéal de certains journaux" (The ideal of some newspapers). This iconic image, sourced from Heritage Images, showcases the renowned French artist's satirical take on the media landscape of the time. Our high-quality Metal Prints are known for their vibrant colors, stunning clarity, and durability. Each print is meticulously printed on a lightweight aluminum sheet, resulting in a sleek, modern look that adds depth and dimension to your space. With its rich history and timeless appeal, this Daumier masterpiece is sure to make a bold and thought-provoking statement in any room. Order yours today and join the countless collectors who have fallen in love with the Media Storehouse Metal Print collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> Popular Themes > Politics


EDITORS COMMENTS
L'Idéal de certains journaux" (The Ideal of Some Newspapers), created by the renowned French artist Honore Daumier in the 19th century, is a powerful and thought-provoking lithograph that offers a biting commentary on the role of the press in society during that era. The image depicts a chaotic scene of male and female figures, each representing different newspapers or aspects of the press. The central figure, a disheveled man wearing a top hat and holding a large newspaper, is labeled "L'Idéal" or "The Ideal." He is surrounded by a multitude of other figures, each representing various newspapers and aspects of the press, such as "La Vérité" (The Truth), "L'Impartial" (The Impartial), and "La Ridicule" (Ridicule). The caricatured figures are depicted in various states of distress, with some appearing dejected and others in a state of frenzy. Some figures are shown trying to pull down the ideal, while others are attempting to prop it up. The overall effect is one of chaos and confusion, reflecting the tumultuous nature of the press during this period. Daumier's use of lettering and illustration in this lithograph is masterful, with each figure and label expertly rendered in monochrome. The image is a testament to Daumier's skill as a satirist and his ability to capture the essence of the political and social climate of his time. This historic work continues to influence artists and commentators today, offering a unique perspective on the role of the press in shaping public opinion and reflecting the values and concerns of a nation. This lithograph is a must-see for anyone interested in the history of art, politics, and the press. It is currently on display at the National Gallery of Art in Washington, D.C., as part of their extensive collection of 19th-century art and heritage. The image is a powerful reminder of the enduring influence of art and the importance of a free and independent press in shaping the course of history.

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