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Canvas Print : Sir Anthony Van Dyck
Canvas Prints from Mary Evans Picture Library
Sir Anthony Van Dyck
A self portrait etching of Flemish Baroque artist, Sir Anthony Van Dyck, 1599-1641, seen with only his head in detail, looking behind. Date: circa 1630
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32243194
© CLM Archive Collection / Mary Evans
1630 1921 Anthony Baroque Behind Dyck Etching Flemish Gallery 1599 1641
30"x20" (76x51cm) Canvas Print
Bring the timeless elegance of Flemish Baroque art into your home with our exquisite Canvas Prints from the Media Storehouse collection, featuring the self-portrait etching of Sir Anthony Van Dyck by the March of the Women Collection from Mary Evans Prints Online. This captivating print showcases a detailed depiction of Sir Anthony Van Dyck's head, with his intense gaze and intricate facial features. A must-have for art enthusiasts and collectors, our high-quality Canvas Prints faithfully reproduce the rich textures and vibrant colors of the original artwork, ensuring a stunning addition to any decor.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Sir Anthony Van Dyck (1599-1641): A Detailed Self-Portrait Etching from the Flemish Baroque Era This self-portrait etching, created by the renowned Flemish Baroque artist Sir Anthony Van Dyck around circa 1630, offers a unique and intriguing glimpse into the artist's world. The image showcases only the head of Sir Anthony Van Dyck, with his eyes gazing introspectively over his shoulder. The meticulous detail and masterful use of light and shadow in this etching are characteristic of Van Dyck's exceptional artistic talent. Born in Antwerp, Belgium, in 1599, Van Dyck is considered one of the most influential artists of the Flemish Baroque period. His works are renowned for their grandeur, elegance, and innovative approach to portraiture. This self-portrait etching, with its striking contrast between the illuminated face and the dark background, is a testament to Van Dyck's artistic prowess and his ability to capture the essence of human emotion. The etching, which is part of the Mary Evans Prints Online collection from the National Gallery, Victoria, provides a rare opportunity to connect with the artist on a personal level. The enigmatic expression on Van Dyck's face invites us to ponder the thoughts and inspirations that may have driven him during his illustrious career. Circa 1630 marks a significant period in Van Dyck's life, as he was gaining recognition both in his native Flanders and in England, where he would later become the court painter to King Charles I. In conclusion, this exquisite self-portrait etching by Sir Anthony Van Dyck is a must-see for art enthusiasts and history buffs alike. It offers a fascinating glimpse into the life and mind of one of the most influential artists of the Flemish Baroque era, and serves as a reminder of the enduring power of art to captivate and inspire.
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