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Premium Framed Print : Sir Anthony Van Dyck
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Sir Anthony Van Dyck
A self portrait etching of Flemish Baroque artist, Sir Anthony Van Dyck, 1599-1641, seen with only his head in detail, looking behind. Date: circa 1630
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Media ID 32243194
© CLM Archive Collection / Mary Evans
1630 1921 Anthony Baroque Behind Dyck Etching Flemish Gallery 1599 1641
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Sir Anthony Van Dyck (1599-1641): A Detailed Self-Portrait Etching from the Flemish Baroque Era This self-portrait etching, created by the renowned Flemish Baroque artist Sir Anthony Van Dyck around circa 1630, offers a unique and intriguing glimpse into the artist's world. The image showcases only the head of Sir Anthony Van Dyck, with his eyes gazing introspectively over his shoulder. The meticulous detail and masterful use of light and shadow in this etching are characteristic of Van Dyck's exceptional artistic talent. Born in Antwerp, Belgium, in 1599, Van Dyck is considered one of the most influential artists of the Flemish Baroque period. His works are renowned for their grandeur, elegance, and innovative approach to portraiture. This self-portrait etching, with its striking contrast between the illuminated face and the dark background, is a testament to Van Dyck's artistic prowess and his ability to capture the essence of human emotion. The etching, which is part of the Mary Evans Prints Online collection from the National Gallery, Victoria, provides a rare opportunity to connect with the artist on a personal level. The enigmatic expression on Van Dyck's face invites us to ponder the thoughts and inspirations that may have driven him during his illustrious career. Circa 1630 marks a significant period in Van Dyck's life, as he was gaining recognition both in his native Flanders and in England, where he would later become the court painter to King Charles I. In conclusion, this exquisite self-portrait etching by Sir Anthony Van Dyck is a must-see for art enthusiasts and history buffs alike. It offers a fascinating glimpse into the life and mind of one of the most influential artists of the Flemish Baroque era, and serves as a reminder of the enduring power of art to captivate and inspire.
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