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Canvas Print : ORCAGNA, Andrea di Cione, called (1343-1368)

ORCAGNA, Andrea di Cione, called (1343-1368)



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ORCAGNA, Andrea di Cione, called (1343-1368)

ORCAGNA, Andrea di Cione, called (1343-1368). Tabernacle. 1359. ITALY. Florence. Orsanmichele. Marble, lapis lazuli, gold and inlaid glass. Death and Assumption of the Virgin. Renaissance art. Trecento. Relief

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 8268305

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10686758

Andrea Assumption Called Florence Inlaid Italia Lapis Lazuli Marble Peninsula Renaissance Tabernacle Trecento Virgin Europeans Orcagna Orsanmichele


20"x16" (51x41cm) Canvas Print

Introducing the stunning Andrea di Cione, also known as Orcagna, Canvas Print from the Media Storehouse collection. This exquisite artwork showcases Orcagna's masterpiece, "Tabernacle," created in 1359. Originally housed in Florence's Orsanmichele, this Renaissance gem is a breathtaking fusion of marble, lapis lazuli, gold, and inlaid glass. Witness the intricate detailing and vibrant colors as the Death and Assumption of the Virgin come to life. Elevate your home or office decor with this timeless piece of art history. Order your Media Storehouse Canvas Print today and bring a touch of the Renaissance into your space.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This exquisite tabernacle, created by Andrea di Cione, also known as Orcagna, showcases the artistic brilliance of the Italian Renaissance during the Trecento period. Dated to 1359, this masterpiece is located in the Orsanmichele church in Florence, Italy. The tabernacle is a stunning example of the European artistic tradition, combining various materials such as marble, lapis lazuli, gold, and inlaid glass. The relief, titled "Death and Assumption of the Virgin," is a visual representation of the Christian belief in the Virgin Mary's assumption into heaven following her death. The intricate design showcases the Virgin Mary lying in a recumbent position, surrounded by angels and various saints. The central figure, Death, is depicted as a skeleton, holding a scythe and an hourglass, symbolizing the transience of life. Above Mary, the Assumption is depicted with Christ and other heavenly beings. Orcagna's mastery of the relief technique is evident in the intricate details and lifelike depiction of the figures. The use of marble, lapis lazuli, gold, and inlaid glass adds to the visual richness and complexity of the artwork. The tabernacle's intricate design and religious significance make it a must-see for art enthusiasts and history buffs alike, offering a glimpse into the artistic and cultural heritage of the European Peninsula during the Renaissance era.

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