Photographic Print : ORCAGNA, Andrea di Cione, called (1343-1368)
Photo Prints from Mary Evans Picture Library
ORCAGNA, Andrea di Cione, called (1343-1368)
ORCAGNA, Andrea di Cione, called (1343-1368). Tabernacle. 1359. ITALY. Florence. Orsanmichele. Marble, lapis lazuli, gold and inlaid glass. Death and Assumption of the Virgin. Renaissance art. Trecento. Relief
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Media ID 8268305
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10686758
Andrea Assumption Called Florence Inlaid Italia Lapis Lazuli Marble Peninsula Renaissance Tabernacle Trecento Virgin Europeans Orcagna Orsanmichele
10"x8" Photo Print
Introducing the Media Storehouse range of Photographic Prints featuring "ORCAGNA, Andrea di Cione, called (1343-1368): Tabernacle. 1359. ITALY. Florence. Orsanmichele. Marble, lapis lazuli, gold and inlaid glass. Death and Assumption of the Virgin." This exquisite work of art is a masterpiece of Renaissance art, showcasing the intricate craftsmanship and artistic brilliance of Andrea di Cione, also known as Orcagna. Captured in high-definition, our photographic print brings the beauty of this marble, lapis lazuli, gold, and inlaid glass tabernacle to your home or office. Rich in history and detail, this print is a must-have for art enthusiasts, collectors, and those who appreciate the beauty and craftsmanship of the past. Add a touch of timeless elegance to your space with our Media Storehouse photographic print of Orcagna's Death and Assumption of the Virgin.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite tabernacle, created by Andrea di Cione, also known as Orcagna, showcases the artistic brilliance of the Italian Renaissance during the Trecento period. Dated to 1359, this masterpiece is located in the Orsanmichele church in Florence, Italy. The tabernacle is a stunning example of the European artistic tradition, combining various materials such as marble, lapis lazuli, gold, and inlaid glass. The relief, titled "Death and Assumption of the Virgin," is a visual representation of the Christian belief in the Virgin Mary's assumption into heaven following her death. The intricate design showcases the Virgin Mary lying in a recumbent position, surrounded by angels and various saints. The central figure, Death, is depicted as a skeleton, holding a scythe and an hourglass, symbolizing the transience of life. Above Mary, the Assumption is depicted with Christ and other heavenly beings. Orcagna's mastery of the relief technique is evident in the intricate details and lifelike depiction of the figures. The use of marble, lapis lazuli, gold, and inlaid glass adds to the visual richness and complexity of the artwork. The tabernacle's intricate design and religious significance make it a must-see for art enthusiasts and history buffs alike, offering a glimpse into the artistic and cultural heritage of the European Peninsula during the Renaissance era.
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