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West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811
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West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811
FLO5000280 West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.; (add.info.: West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.); © Florilegius
Media ID 38273756
© © Florilegius / Bridgeman Images
John Thomas Smith Lobby Norman Architecture Topography Of London Vestibule
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EDITORS COMMENTS
This stunning copperplate engraving captures the West entrance to the vestibule of the Temple Church, a masterpiece of Norman style architecture built in 1185. The intricate details and ornate decorations are beautifully depicted in this print, showcasing the craftsmanship and artistry of the time.
John Thomas Smith's meticulous drawing and etching from his Topography of London in 1811 truly bring this historical landmark to life. The grandeur and elegance of the church's design is evident in every line and curve, transporting viewers back to a bygone era.
The play of light and shadow on the stone facade creates a sense of depth and dimension, adding to the overall dramatic effect of the composition. The symmetry and balance of the architectural elements further enhance its visual appeal, making it a true work of art.
As you gaze upon this print, you can almost imagine yourself standing at the entrance to this majestic structure, marveling at its beauty and significance. It serves as a reminder of London's rich history and cultural heritage, preserved for generations to come through works like these.
Overall, this print is not just a depiction of a building but a window into another time, inviting us to appreciate both its aesthetic charm and historical importance.
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