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Photographic Print : West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811

West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811




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West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811

FLO5000280 West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.; (add.info.: West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.); © Florilegius

Media ID 38273756

© © Florilegius / Bridgeman Images

John Thomas Smith Lobby Norman Architecture Topography Of London Vestibule Regency


10"x8" Photo Print

Step back in time with this stunning photographic print capturing the West entrance to the vestibule of the Temple Church, built in 1185. The intricate Decorated Norman style architecture is beautifully depicted in this copperplate engraving by John Thomas Smith from his Topography of London, 1811. A true masterpiece for any art lover's collection.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Artist Unknown

> Architecture > Churches

> Architecture > Styles > Norman Architecture

> Architecture > Styles > Regency Architecture

> Architecture > Temples

> Arts > Artists > N > John Norman

> Arts > Artists > S > John Thomas Smith


EDITORS COMMENTS
This stunning copperplate engraving captures the West entrance to the vestibule of the Temple Church, a masterpiece of Norman style architecture built in 1185. The intricate details and ornate decorations are beautifully depicted in this print, showcasing the craftsmanship and artistry of the time. John Thomas Smith's meticulous drawing and etching from his Topography of London in 1811 truly bring this historical landmark to life. The grandeur and elegance of the church's design is evident in every line and curve, transporting viewers back to a bygone era. The play of light and shadow on the stone facade creates a sense of depth and dimension, adding to the overall dramatic effect of the composition. The symmetry and balance of the architectural elements further enhance its visual appeal, making it a true work of art. As you gaze upon this print, you can almost imagine yourself standing at the entrance to this majestic structure, marveling at its beauty and significance. It serves as a reminder of London's rich history and cultural heritage, preserved for generations to come through works like these. Overall, this print is not just a depiction of a building but a window into another time, inviting us to appreciate both its aesthetic charm and historical importance.

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