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Poster Print : West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811

West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811




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West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811

FLO5000280 West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.; (add.info.: West entrance to the vestibule of the Temple Church, built 1185. Decorated Norman style architecture. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.); © Florilegius

Media ID 38273756

© © Florilegius / Bridgeman Images

John Thomas Smith Lobby Norman Architecture Topography Of London Vestibule Regency


18x24 inch Poster Print

"Step back in time with our Media Storehouse Poster Print featuring the stunning West entrance to the vestibule of the Temple Church, built 1185. This beautiful copperplate engraving by John Thomas Smith showcases the intricate Norman style architecture of this historic London landmark. Printed on high-quality paper, this poster is a must-have for history buffs and art lovers alike. Bring a touch of elegance and sophistication to your home or office with this unique piece from Bridgeman Images."

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Artist Unknown

> Architecture > Churches

> Architecture > Styles > Norman Architecture

> Architecture > Styles > Regency Architecture

> Architecture > Temples

> Arts > Artists > N > John Norman

> Arts > Artists > S > John Thomas Smith


EDITORS COMMENTS
This stunning copperplate engraving captures the West entrance to the vestibule of the Temple Church, a masterpiece of Norman style architecture built in 1185. The intricate details and ornate decorations are beautifully depicted in this print, showcasing the craftsmanship and artistry of the time. John Thomas Smith's meticulous drawing and etching from his Topography of London in 1811 truly bring this historical landmark to life. The grandeur and elegance of the church's design is evident in every line and curve, transporting viewers back to a bygone era. The play of light and shadow on the stone facade creates a sense of depth and dimension, adding to the overall dramatic effect of the composition. The symmetry and balance of the architectural elements further enhance its visual appeal, making it a true work of art. As you gaze upon this print, you can almost imagine yourself standing at the entrance to this majestic structure, marveling at its beauty and significance. It serves as a reminder of London's rich history and cultural heritage, preserved for generations to come through works like these. Overall, this print is not just a depiction of a building but a window into another time, inviting us to appreciate both its aesthetic charm and historical importance.

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