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Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in

Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in


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Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in

NCO191733 Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1801 (hand-coloured etching) by North, Brownlow (1741-1820) (after); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Media ID 23200290

© Bridgeman Images

Bald Breeches Cacophony Candle Cello Chubby Fashionable Dress Feathers Flute Gown Grotesque Hanoverian Noise Obese Pianoforte Players Plumes Score Sheet Scrawny Social Satire Soiree Ugly Violin Handbell


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Playing in Parts - A Grotesque Evening of Musical Chaos

EDITORS COMMENTS
. This print captures a satirical scene from the Georgian era, etched by James Gillray and published by Hannah Humphrey in 1801. The image portrays an eccentric gathering filled with absurdity and cacophony. In this grotesque soiree, we witness a group of musicians and dancers who are far from graceful or harmonious. The focus is drawn to an obese female dancer clad in a fashionable dress, struggling to keep up with the lively dance moves. Beside her, a scrawny musician attempts to play the cello while wearing breeches and a military uniform. The room is filled with bizarre characters - bald men howling like dogs, tuneless players blowing into flutes, and individuals donning extravagant headdresses adorned with feathers. Amidst the chaos, an ugly wig-wearing gentleman plays the pianoforte without any sense of melody. This social satire highlights not only the charmless nature of these entertainers but also mocks their fashion choices. From chubby dancers to caricature-like figures dressed in Jean de Bry coats and gowns, it becomes evident that elegance has been forsaken for amusement. Through Gillray's masterful engraving technique and hand-coloured details, this artwork transports us back to an evening where music turns into noise and grace transforms into grotesqueness. It serves as both entertainment for its viewers as well as a biting commentary on society during that time period.

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