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Metal Print : Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in
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Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in
NCO191733 Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1801 (hand-coloured etching) by North, Brownlow (1741-1820) (after); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 23200290
© Bridgeman Images
Bald Breeches Cacophony Candle Cello Chubby Fashionable Dress Feathers Flute Gown Grotesque Hanoverian Noise Obese Pianoforte Players Plumes Score Sheet Scrawny Social Satire Soiree Ugly Violin Handbell
16"x20" (51x41cm) Metal Print
Experience the timeless wit and satire of 19th-century British artist James Gillray with our Media Storehouse Metal Prints. This exquisite piece, titled "Playing in Parts," is a hand-coloured etching published by Hannah Humphrey in 1801. Known for his biting commentary on politics and society, Gillray's work continues to captivate audiences with its intricate detail and vivid colours. Our high-quality Metal Prints bring out the richness and depth of this iconic artwork, making it a stunning addition to any home or office space. Embrace history and art with the Media Storehouse Metal Prints - a modern twist on traditional art display.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Playing in Parts - A Grotesque Evening of Musical Chaos
EDITORS COMMENTS
. This print captures a satirical scene from the Georgian era, etched by James Gillray and published by Hannah Humphrey in 1801. The image portrays an eccentric gathering filled with absurdity and cacophony. In this grotesque soiree, we witness a group of musicians and dancers who are far from graceful or harmonious. The focus is drawn to an obese female dancer clad in a fashionable dress, struggling to keep up with the lively dance moves. Beside her, a scrawny musician attempts to play the cello while wearing breeches and a military uniform. The room is filled with bizarre characters - bald men howling like dogs, tuneless players blowing into flutes, and individuals donning extravagant headdresses adorned with feathers. Amidst the chaos, an ugly wig-wearing gentleman plays the pianoforte without any sense of melody. This social satire highlights not only the charmless nature of these entertainers but also mocks their fashion choices. From chubby dancers to caricature-like figures dressed in Jean de Bry coats and gowns, it becomes evident that elegance has been forsaken for amusement. Through Gillray's masterful engraving technique and hand-coloured details, this artwork transports us back to an evening where music turns into noise and grace transforms into grotesqueness. It serves as both entertainment for its viewers as well as a biting commentary on society during that time period.
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