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Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho)
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Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho)
1730195 Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho) by French School, (20th century); (add.info.: Cover of french satirical magazine " L Assiette au Beurre" march 2, 1912 : androgynous women, drawing by Jils Garrine)
Media ID 25436480
© Bridgeman Images
1910 1920 Androgyne Années Clothing Style Fashiom Fashion Trend Front Page Hermaphrodite Magazines Male Fashion Men Fashion Mens Clothing Mens Fashion 1900 1910 Years 10 10s 1910 1919 1910 1919 Years 10 10s Journalism Unisex
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This print captures the cover of the French satirical magazine L'Assiette au Beurre from March 2,1912. The artwork, a color lithograph by Jils Garrine, features an androgynous woman who challenges traditional gender norms of the time. In this early twentieth-century piece, we see a striking figure that blurs the lines between masculinity and femininity. The woman's confident gaze and elegant attire defy societal expectations, making a bold statement about individuality and self-expression. The satirical nature of the drawing adds another layer to its significance. It serves as scathing social commentary on various aspects of society during that era – from fashion trends to gender roles. The cartoon-like style amplifies its impact, inviting viewers to reflect on prevailing stereotypes and conventions. As we delve into this historic image, it becomes evident that magazines like L'Assiette au Beurre played a crucial role in shaping public opinion at the time. They provided platforms for artists to challenge established norms through their thought-provoking illustrations. This photograph not only offers us a glimpse into early twentieth-century art but also reminds us of how far we have come in terms of embracing diversity and breaking free from rigid gender constructs. It stands as a testament to the power of visual media in challenging societal boundaries and promoting inclusivity.
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