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Photographic Print : Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho)

Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho)




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Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho)

1730195 Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho) by French School, (20th century); (add.info.: Cover of french satirical magazine " L Assiette au Beurre" march 2, 1912 : androgynous women, drawing by Jils Garrine)

Media ID 25436480

© Bridgeman Images

1910 1920 Androgyne Années Clothing Style Fashiom Fashion Trend Front Page Hermaphrodite Magazines Male Fashion Men Fashion Mens Clothing Mens Fashion Unisex 1900 1910 Years 10 10s 1910 1919 Years 10 10s Journalism


10"x8" Photo Print

Experience the intrigue and allure of the past with our exquisite Media Storehouse Photographic Print of the Androgynous Woman cover from French Satirical Magazine L Assiette au Beurre, dated 2nd March 1912. This stunning colour lithograph, hailing from the French School, showcases the captivating androgynous figure that graced the magazine's cover over a century ago. Add an air of mystery and sophistication to your space with this beautiful piece of art history, expertly reproduced from the original Bridgeman Images held at Fine Art Finder. Embrace the timeless allure of this iconic image and let it tell its story in your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > French School

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> Arts > Literature > Magazines

> Arts > Pop art > Satire > Satirical artwork

> Historic > Historical fashion trends


EDITORS COMMENTS
This print captures the cover of the French satirical magazine L'Assiette au Beurre from March 2,1912. The artwork, a color lithograph by Jils Garrine, features an androgynous woman who challenges traditional gender norms of the time. In this early twentieth-century piece, we see a striking figure that blurs the lines between masculinity and femininity. The woman's confident gaze and elegant attire defy societal expectations, making a bold statement about individuality and self-expression. The satirical nature of the drawing adds another layer to its significance. It serves as scathing social commentary on various aspects of society during that era – from fashion trends to gender roles. The cartoon-like style amplifies its impact, inviting viewers to reflect on prevailing stereotypes and conventions. As we delve into this historic image, it becomes evident that magazines like L'Assiette au Beurre played a crucial role in shaping public opinion at the time. They provided platforms for artists to challenge established norms through their thought-provoking illustrations. This photograph not only offers us a glimpse into early twentieth-century art but also reminds us of how far we have come in terms of embracing diversity and breaking free from rigid gender constructs. It stands as a testament to the power of visual media in challenging societal boundaries and promoting inclusivity.

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