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Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)
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Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)
1068455 Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint) by Incan; 19.69 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca.
A Kero is an ancient South America ceremonial cup); The Nora and John Wise Collection, bequest of John Wise, 1983
Media ID 33396390
© The Nora and John Wise Collection, bequest of John Wise, 1983 / Bridgeman Images
17th Centuries Anthropolgy Anthropologist Anthropology Art Fine Art Artefact Artifact Inca Inca Civilization Inca Culture Inca Empire Incas Latin America Pre Columbian Pre Columbian Era Precolonial Period Precolumbian Precolumbian Era Precolumbian Period Precontact Period Prehispanic Prehistoric Americas Timbers Unpopulated Wood Material 17 17th 17th 17th Xvii 18th Century 18e Siecle 18th Century 18th Centuries America Continent Americae Circa 1600 Early 17th Century Early Xvii Century Items Latine America Seventeeth Century Thing Timber Without Anyone Without People
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EDITORS COMMENTS
The print captures a stunning piece of ancient South American art titled "Kero: Inca Noble, Woman Holding Branch". Created between 1630-1780 by an Incan artist, this ceremonial cup is made of wood and features a lacquer-like paint finish. Measuring at 19.69 cm in height, it now resides in the Dallas Museum of Art in Texas, USA. This Kero holds great historical significance as it represents the Post-Conquest Inca period. The image depicts an Inca noblewoman gracefully holding a branch, showcasing her status and connection to nature. The intricate details on the cup highlight the craftsmanship and artistic skills of its creator. Part of The Nora and John Wise Collection, generously bequeathed by John Wise in 1983, this artwork offers us a glimpse into the rich cultural heritage of South America during the seventeenth century. Its presence within the museum's collection allows visitors to appreciate its beauty while also learning about ancient civilizations. The Kero serves as both an anthropological artifact and a work of art. It symbolizes not only the materiality of wood but also carries vibrant colors that enhance its visual appeal. This piece exemplifies how art can transcend time and geography to connect people with different cultures across centuries. As we admire this photograph from Fine Art Finder by Bridgeman Images, let us appreciate the efforts taken to preserve such treasures for future generations. Through these images, we are reminded that art has no boundaries; it speaks to us regardless of our background or location on Earth.
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