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Fine Art Print : The skeleton of Death stabs the Pope on his throne. 1792. 1926 (engraving)
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The skeleton of Death stabs the Pope on his throne. 1792. 1926 (engraving)
7234877 The skeleton of Death stabs the Pope on his throne. 1792. 1926 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info.: The skeleton of Death stabs the Pope on his throne. The figure of Death wears a crown of thorns, black habit and sashes, and uses a dart or arrow. Priests and monks pray and kneel before him. Der Pabst. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from a series of Dance of Death, originally published in the Lavenburg Calendar in 1792. Reprinted in Totentanz from the original copperplates by Walther Nithack-Stahn, Eigenbrodler Verlag, Berlin, 1926.); © Florilegius
Media ID 25192224
© Florilegius / Bridgeman Images
Allegoric Allegories Allergoric Alllegorical Figure Animal Skeleton Archbishops Archdeacon Cardinal Cardinals Cathloic Cathoic Clergymen Danse Macabre Enthroned Enthronement Macabre Dance Man Of The Cloth Poland Poland Polish Pole Polish Popedom Popes Roman Catholicism Symbole Symbolical Representation Symbolised Symbolising Symbology Thrones Bodies Catholic Religion Catholics Christinaity Deaths Imam Mortality Passed Away Religious Role Symbols
20"x16" (+3" Border) Fine Art Print
Experience the haunting imagery of history with our Fine Art Print of 'The Skeleton of Death Stabs the Pope on His Throne' by Daniel Nikolaus Chodowiecki. This engraving, originally created in 1792 and reproduced in 1926, captures the ominous symbolism of death's triumph over power and religion. Add this captivating piece to your home or office to spark intrigue and inspire thoughtful conversation. Authentically reproduced from the original work held in a private collection, this fine art print is a must-have for history buffs, art enthusiasts, and those who appreciate the macabre beauty of the past. Order now and bring a piece of historical artistry into your space.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.9cm x 50.8cm (14.1" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Skeleton of Death Stabs the Pope on His Throne
EDITORS COMMENTS
is a thought-provoking engraving by Daniel Nikolaus Chodowiecki that captures the tension between mortality and power. Created in 1792 but reprinted in 1926, this allegorical artwork depicts Death, wearing a crown of thorns and clad in black habit and sashes, stabbing the Pope while he sits on his throne. The image portrays priests and monks praying and kneeling before Death, emphasizing their vulnerability to its inevitable grasp. The dart or arrow used by Death symbolizes the swift nature of mortality, reminding us that even those in positions of authority are not exempt from its reach. Chodowiecki's work is part of a series called "Dance of Death" originally published in the Lavenburg Calendar. This particular print offers an intriguing commentary on religious power structures and serves as a reminder that death is an equalizer for all individuals regardless of their status or position within society. With its intricate details and powerful symbolism, this engraving invites viewers to reflect upon their own mortality while questioning notions of authority and hierarchy. It serves as a timeless reminder that death ultimately unites us all, transcending religious boundaries and cultural differences. This artwork showcases Chodowiecki's skill as an artist while challenging viewers to contemplate life's transience amidst structures built upon earthly power.
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