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Fine Art Print : Presentation to the temple, triumph of the Virgin, St Peter, St John the Baptist, St Paul
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Presentation to the temple, triumph of the Virgin, St Peter, St John the Baptist, St Paul
LRI4583271 Presentation to the temple, triumph of the Virgin, St Peter, St John the Baptist, St Paul, St Lawrence, St Thomas Aquinas. Stained glass, 1492 by Agolanti, Alessandro (15th century); Basilica di Santa Maria Novella, Firenze, Italy; (add.info.: Presentation in the temple and " Triumph of the Virgin" representation of Saint Peter, Saint John the Baptist, Saint Paul, Saint Laurent and Saint Thomas Aquinas - Stained glass of the apse of Alessandro Agolanti dit il Bidello d aprAs Ghirlandaio, 1492 (Presentation to the temple, triumph of the virgin, St Peter, St John the Baptist, St Paul, St Lawrence, St Thomas Aquinas) Stained glass by Alessandro Agolanti after Ghirlandaio drawings - Church of Santa Maria Novella, Florence Italy); Luisa Ricciarini; Italian, out of copyright
Media ID 23326686
© Luisa Ricciarini / Bridgeman Images
Apotre Saint John The Baptist Saint Paul Saint Peter Saint Thomas Aquinas 1228 1274 Quattrocento
20"x16" (+3" Border) Fine Art Print
Experience the divine beauty and intricate detail of Luisa Ricciarini's 'Presentation to the Temple, Triumph of the Virgin, St. Peter, St. John the Baptist, St. Paul, St. Lawrence, St. Thomas Aquinas' fine art print. This exquisite work of art, from the Media Storehouse range, showcases the triumphant moment as the Virgin Mary presents her son Jesus to the temple, surrounded by the revered saints Peter, John the Baptist, Paul, Lawrence, and Thomas Aquinas. Each brushstroke brings the sacred scene to life, inviting you to reflect and connect with the profound spirituality of this timeless masterpiece. Bring the elegance and serenity of this sacred moment into your home or office, and let the beauty of Luisa Ricciarini's artistry uplift your space.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.6cm x 50.8cm (14" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning print captures the exquisite stained glass artwork titled "Presentation to the Temple, Triumph of the Virgin" by Alessandro Agolanti. Created in 1492, this masterpiece adorns the apse of the Basilica di Santa Maria Novella in Florence, Italy. The intricate design showcases various biblical figures including St. Peter, St. John the Baptist, St. Paul, St. Lawrence, and St. Thomas Aquinas surrounding the central figure of the Virgin Mary. Each character is depicted with meticulous attention to detail and vibrant colors that bring them to life. Agolanti's work beautifully combines elements of Renaissance art with religious symbolism. The scene depicts a significant moment from Christian tradition when Mary presents her child Jesus at the temple in Jerusalem. The use of stained glass adds an ethereal quality to this piece as light filters through it, casting colorful reflections on its surroundings and creating a mesmerizing effect for viewers. This photograph by Luisa Ricciarini perfectly captures every intricate detail and color variation present in Agolanti's original artwork. It serves as a testament to both Ricciarini's skill as a photographer and Agolanti's talent as an artist. Overall, this print allows us to appreciate not only the beauty but also the historical significance of this remarkable stained glass masterpiece within Italian Renaissance art history
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