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Pillow : Presentation to the temple, triumph of the Virgin, St Peter, St John the Baptist, St Paul
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Presentation to the temple, triumph of the Virgin, St Peter, St John the Baptist, St Paul
LRI4583271 Presentation to the temple, triumph of the Virgin, St Peter, St John the Baptist, St Paul, St Lawrence, St Thomas Aquinas. Stained glass, 1492 by Agolanti, Alessandro (15th century); Basilica di Santa Maria Novella, Firenze, Italy; (add.info.: Presentation in the temple and " Triumph of the Virgin" representation of Saint Peter, Saint John the Baptist, Saint Paul, Saint Laurent and Saint Thomas Aquinas - Stained glass of the apse of Alessandro Agolanti dit il Bidello d aprAs Ghirlandaio, 1492 (Presentation to the temple, triumph of the virgin, St Peter, St John the Baptist, St Paul, St Lawrence, St Thomas Aquinas) Stained glass by Alessandro Agolanti after Ghirlandaio drawings - Church of Santa Maria Novella, Florence Italy); Luisa Ricciarini; Italian, out of copyright
Media ID 23326686
© Luisa Ricciarini / Bridgeman Images
Apotre Saint John The Baptist Saint Paul Saint Peter Saint Thomas Aquinas 1228 1274 Quattrocento
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning print captures the exquisite stained glass artwork titled "Presentation to the Temple, Triumph of the Virgin" by Alessandro Agolanti. Created in 1492, this masterpiece adorns the apse of the Basilica di Santa Maria Novella in Florence, Italy. The intricate design showcases various biblical figures including St. Peter, St. John the Baptist, St. Paul, St. Lawrence, and St. Thomas Aquinas surrounding the central figure of the Virgin Mary. Each character is depicted with meticulous attention to detail and vibrant colors that bring them to life. Agolanti's work beautifully combines elements of Renaissance art with religious symbolism. The scene depicts a significant moment from Christian tradition when Mary presents her child Jesus at the temple in Jerusalem. The use of stained glass adds an ethereal quality to this piece as light filters through it, casting colorful reflections on its surroundings and creating a mesmerizing effect for viewers. This photograph by Luisa Ricciarini perfectly captures every intricate detail and color variation present in Agolanti's original artwork. It serves as a testament to both Ricciarini's skill as a photographer and Agolanti's talent as an artist. Overall, this print allows us to appreciate not only the beauty but also the historical significance of this remarkable stained glass masterpiece within Italian Renaissance art history
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