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Fine Art Print : Martin Folkes, 1718 (oil on canvas)

Martin Folkes, 1718 (oil on canvas)



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Martin Folkes, 1718 (oil on canvas)

1765243 Martin Folkes, 1718 (oil on canvas) by Richardson, Jonathan (1665-1745); 760x630 cm; Society of Antiquaries of London, UK; (add.info.: Martin Folkes was President of the Society of Antiquaries of London when it was granted its Royal Charter in 1751.)

Media ID 25132980

© Bridgeman Images

Antiquarian Antiquary Charter Royal Charter Royal Society Society Of Antiquaries Velvet Martin Folkes


20"x16" (+3" Border) Fine Art Print

Experience the captivating allure of history with our exquisite Fine Art Print of Martin Folkes, 1718 by Jonathan Richardson. This stunning oil on canvas masterpiece, held at the Society of Antiquaries of London, showcases the distinguished likeness of Martin Folkes, a prominent figure in 18th-century England. Bring the rich history and timeless beauty of this artwork into your home or office space with our high-quality Fine Art Prints. Each print is meticulously reproduced to preserve the original's intricate details and vibrant colors, ensuring a true-to-life representation. Elevate your décor and ignite your imagination with this captivating addition to your collection.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 47.2cm (16" x 18.6")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Jonathan Richardson

> Fine Art Finder > Men 18th Century

> Arts > Artists > R > Jonathan Richardson

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Paintings


EDITORS COMMENTS
This portrait captures the esteemed Martin Folkes, a prominent figure in 18th-century London. Painted by Jonathan Richardson in 1718, this oil on canvas print showcases Folkes' dignified presence and intellectual prowess. Folkes was not only an accomplished antiquarian but also served as the President of the Society of Antiquaries of London during a pivotal time in its history. It was under his leadership that the society was granted its prestigious Royal Charter in 1751, solidifying its status as a respected institution. In this half-length portrait, we see Folkes adorned in luxurious velvet attire, exuding an air of sophistication and authority. The vibrant blue hues complement his regal stature while highlighting his position within both the Society of Antiquaries and the Royal Society. Notably, he wears a turban atop his head, adding an intriguing touch to this Georgian-era painting. This unique choice reflects Folkes' interest in diverse cultures and their contributions to antiquity. Preserved by the Society of Antiquaries of London today, this remarkable artwork serves as a testament to Martin Folkes' significant contributions to academia and preservation efforts. It stands as a reminder of his enduring legacy within both scholarly circles and British society at large.

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