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Fine Art Print : Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas)

Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas)



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Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas)

SCP38083 Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 221x157 cm; Prado, Madrid, Spain; (add.info.: Also known as: A Knight in Rome: Charles Cecil Roberts); Italian, out of copyright

Media ID 23345628

© Bridgeman Images

Aesthete Aristocratic Baron Bas Relief Breeches Buckles Capital Castel Santangelo Classical Ruins Cravat Frieze Gold Braid Grand Tour Peters Piping Red Coat Stockings Tricorn Hat Waistcoat


20"x16" (+3" Border) Fine Art Print

Experience the grandeur of the past with our exquisite Fine Art Print of Francis Basset, 1st Baron of Dunstanville, by Pompeo Girolamo Batoni. This stunning oil on canvas painting, originally housed in the Prado Museum in Madrid, showcases the aristocratic elegance and sophistication of the 18th century. Batoni's masterful use of light and color brings the subject to life, transporting you back in time. Our high-quality print reproductions capture every intricate detail, allowing you to display this timeless work of art in your own home or office. Add a touch of history and class to your space with our Fine Art Print of Francis Basset, 1778.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.6cm x 50.8cm (14" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Peters Mouse

> Architecture > Country > Georgia

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Country > Spain

> Architecture > Styles > Classical Architecture

> Architecture > Styles > Georgian Architecture

> Arts > Artists > B > Basset Basset

> Arts > Artists > B > Pompeo Batoni

> Arts > Artists > B > Pompeo Girolamo Batoni


EDITORS COMMENTS
This portrait captures the essence of Francis Basset, 1st Baron of Dunstanville, in all his aristocratic splendor. Painted by Pompeo Girolamo Batoni in 1778, this oil on canvas masterpiece measures an impressive 221x157 cm and is currently housed at the Prado Museum in Madrid, Spain. Basset stands tall and proud, donning a vibrant red coat adorned with gold braid that signifies his status as a British aristocrat. His attire is completed with breeches, stockings, and buckled shoes - a true reflection of Georgian fashion. A tricorn hat rests upon his head while he holds a cane elegantly by his side. The backdrop reveals classical ruins reminiscent of ancient Rome, emphasizing Basset's refined taste for art and culture. A map of Rome hangs prominently behind him along with architectural elements such as bas reliefs and friezes. With an air of sophistication and elegance, Basset exudes confidence as he gazes directly at the viewer. His powdered wig adds to his regal appearance while his cravat accentuates his impeccable style. This painting not only showcases the grandeur associated with the English aristocracy but also hints at Basset's intellectual pursuits through references to art history and travel. It serves as a testament to both his social standing within society and his passion for aesthetics. Overall, Batoni masterfully captures Lord Dunstanville's commanding presence in this remarkable work of art that continues to captivate audiences centuries later

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