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Mouse Mat : Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas)
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Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas)
SCP38083 Francis Basset, 1st Baron of Dunstanville, 1778 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 221x157 cm; Prado, Madrid, Spain; (add.info.: Also known as: A Knight in Rome: Charles Cecil Roberts); Italian, out of copyright
Media ID 23345628
© Bridgeman Images
Aesthete Aristocratic Baron Bas Relief Breeches Buckles Capital Castel Santangelo Classical Ruins Cravat Frieze Gold Braid Grand Tour Peters Piping Red Coat Stockings Tricorn Hat Waistcoat
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.3cm x 23.7cm (6.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait captures the essence of Francis Basset, 1st Baron of Dunstanville, in all his aristocratic splendor. Painted by Pompeo Girolamo Batoni in 1778, this oil on canvas masterpiece measures an impressive 221x157 cm and is currently housed at the Prado Museum in Madrid, Spain. Basset stands tall and proud, donning a vibrant red coat adorned with gold braid that signifies his status as a British aristocrat. His attire is completed with breeches, stockings, and buckled shoes - a true reflection of Georgian fashion. A tricorn hat rests upon his head while he holds a cane elegantly by his side. The backdrop reveals classical ruins reminiscent of ancient Rome, emphasizing Basset's refined taste for art and culture. A map of Rome hangs prominently behind him along with architectural elements such as bas reliefs and friezes. With an air of sophistication and elegance, Basset exudes confidence as he gazes directly at the viewer. His powdered wig adds to his regal appearance while his cravat accentuates his impeccable style. This painting not only showcases the grandeur associated with the English aristocracy but also hints at Basset's intellectual pursuits through references to art history and travel. It serves as a testament to both his social standing within society and his passion for aesthetics. Overall, Batoni masterfully captures Lord Dunstanville's commanding presence in this remarkable work of art that continues to captivate audiences centuries later
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