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Fine Art Print : The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punchos Pocket Books, Bradbury, London, 1864

The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punchos Pocket Books, Bradbury, London, 1864



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The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punchos Pocket Books, Bradbury, London, 1864

FLO4995405 The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punchos Pocket Books, Bradbury, London, 1864.; (add.info.: The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punchos Pocket Books, Bradbury, London, 1864.); © Florilegius

Media ID 38349672

© © Florilegius / Bridgeman Images

Bride Comedy Dessin Satirique Follies Of The Year Groom Handcoloured Etching Horse Market John Leech Mariage Meat Market Pocket Books Punchos Pocket Books Satirical Print Spouse Tattersalls Wedding Ceremony Flange Mariee


21"x14" (+3" Border) Fine Art Print

Step back in time with this satirical print from 1847, depicting a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech, this Fine Art Print is sure to add a touch of whimsy to your home decor.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Frank Reynolds

> Arts > Artists > L > John Leech

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Art > Comedy


EDITORS COMMENTS
This satirical print, titled "The Matrimonial Tattersalls, 1847," takes a humorous look at the concept of marriage as a market for brides and grooms. Created by John Leech in 1864, this handcoloured etching from Follies of the Year captures the absurdity of treating relationships like transactions. In the style of Tattersalls horse market, this caricature showcases a bustling scene where individuals are displayed like commodities up for sale. The exaggerated figures and playful details highlight the ridiculousness of reducing love and partnership to a mere business exchange. Through sharp wit and clever commentary, Leech pokes fun at societal norms surrounding marriage during the Victorian era. The whimsical nature of this piece invites viewers to reflect on the absurdity of treating human connections as something to be bought and sold. As we gaze upon this comical portrayal of matrimonial madness, we are reminded that true love cannot be commodified or traded like livestock. This print serves as a reminder to cherish genuine connections based on mutual respect and affection rather than viewing relationships through a transactional lens.

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