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Fine Art Print : Caricature of the English betrayal by the French in Paris, 1762. John Russell, 4th Duke of Bedford being paid with Crumbs of Comfort while a English man picks his pocket
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Caricature of the English betrayal by the French in Paris, 1762. John Russell, 4th Duke of Bedford being paid with Crumbs of Comfort while a English man picks his pocket
FLO4717884 Caricature of the English betrayal by the French in Paris, 1762. John Russell, 4th Duke of Bedford being paid with Crumbs of Comfort while a English man picks his pocket. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: Caricature of the English betrayal by the French in Paris, 1762. John Russell, 4th Duke of Bedford being paid with Crumbs of Comfort while a English man picks his pocket. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius
Media ID 38323740
© © Florilegius / Bridgeman Images
1762 Angleterre Bandit Betrayal Betraying Betrays Bribe Bribery Default Dessin Satirique Hogarthian Human Passions Delineated Idleness Innocence International Relations John Collier John Necklace John Russell Moeurs Morals Politique Relations Internationales Societe Thomas Sanders Timothy Bobbin Trahison Treachery Treason Treaty Vice Visage Voleur 18eme Siecle Allemagne Grande Bretagne Homme
20"x16" (+3" Border) Fine Art Print
Discover a historical moment captured in this intriguing fine art print from Media Storehouse. Featuring a caricature of the English betrayal by the French in Paris, 1762, this piece by Bridgeman Images is sure to spark conversation and add character to any space.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 35.6cm (20" x 14")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This satirical caricature from 1762 captures the English betrayal by the French in Paris with biting humor and political commentary. John Russell, 4th Duke of Bedford, is depicted being paid with "Crumbs of Comfort" while an English man picks his pocket, symbolizing the treachery and deceit at play during this tumultuous time.
The copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) showcases the artist's scathing satire and keen eye for detail. The image is taken from "Human Passions Delineated," published in Manchester in 1773, reflecting the widespread interest in political cartoons and social commentary during this period.
The scene is filled with symbolism and hidden meanings, as each character represents a different aspect of the political landscape at that time. From France to England, from betrayal to treason, every element in this print tells a story of power struggles and deception.
As we gaze upon this piece of art from the 18th century, we are reminded of how history has always been shaped by human passions and political intrigue. It serves as a stark reminder that even in times long past, people were not immune to corruption and manipulation. This print is not just a work of art; it is a window into a world where appearances can be deceiving and trust can be easily broken.
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